Open to the public Nov 15th to 16th 2025 at Stratford-upon-Avon Town Hall CV37 6EF
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Author Archives: Judith

  1. My tour of Scotland

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    I’ve just got back from a month travelling around Scotland staying in 5*hotels, Air B&Bs, B&Bs, friend’s spare rooms and my sister’s bathroom – another story there – visiting Michelin Starred restaurants, local fish bars, the Butty Bus in Leverbourgh, bakeries and oh so many cafes trying to find good coffee after numerous outings to forage.

    After visiting a few places it became clear to me that the experience of eating, drinking or visiting was just as important as the food, and in some cases it made up for below par offerings.

    This got me thinking about the relationship between artists and potential buyers and how one can translate a gentle enquiry or someone looking at your exhibition artwork into a sale, and further building a relationship for future sales.

    It came down to an acknowledging smile when I approached, eye contact, a simple greeting and an open question to lead the conversation, it really was that straightforward to hook me into staying/eating /booking a room/spending longer looking at their art work and in many cases buying from them. The price became less important and the experience built the joy of buying from someone I was interested in.

    The conversation started, I was engaged with them and their offerings, it put me at my ease and a relationship was built.

    When I was faced with a sullen response, an artist engrossed on their phone or not standing to greet me left me uninterested and after a quick sweep round the venues I left without buying or taking information about their work.

    As a curator I am continually looking for new artists to support either on line via IG etc or in person at #Cafdgg, I am already primed to buy and build a relationship with them; however I feel that so are our visitors to #Cafdgg, as they have made the decision to attend either our very jolly Private View or when it is open to the public so they are already in the mindset of buying, so go on, stand up, smile, chat and let the sales commence in November!

     

  2. Selling your artwork

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    I am celebrating my 10th year as curator for #Cafdgg and I wanted to pull back to the basics of enjoying a successful arts event; be it selling your work, meeting other artists, or using the event as a promotional platform.

    Here are a few recommendations for you to mull over:-

    The most important thing to remember is that you are in a context that is designed for art appreciation and buying. It is not like cold calling, our visitors are here because they want to see and buy works of art, so relax and enjoy.

    First impressions are vital, so always stand up to greet visitors with a hello, smile and invite them to touch and explore your work without feeling pressured to buy. Leave them alone for a few minutes to look without interruption.

    It is important to pay attention to their body language and gauge their interest and level of engagement. Do they return to look at a specific piece, do they look at it from different angles or hold it for longer than the others?

    The best form of selling is not to sell, but to talk round to find a connection with the visitor or their family. An offer of help or further information when needed will help relax the visitor as you are respecting their space to browse freely.

    An easy starter question when engaging in conversation is to ask them which piece caught their eye first? Is it a gift and for whom? Will it be going in a specific room/space? Do they often buy artwork as gifts?

    If it is for them, show genuine interest in their choice and reasons to buy. Listen and respond, take time to hear their feedback and preferences. Ask open-ended questions to encourage them to share their thoughts and feelings about your work – this will help you tailor your response with appropriate recommendations based on their interests. Problem solve for them by introducing different pieces of your work.

    Make them remember you in a positive way, it is never about a hard sell: just a bit of chat about how they heard about #Cafdgg, what do they think about it, sharing experiences and building a relationship.

    Your work has a story to tell, are there any anecdotes attached to some of your artwork on show that might be relevant? Stories about where you had the grain of an idea and how it came into fruition, the giving of information and engaging in discussion regarding its creation and how you made it are simply rounding out the artistic process giving our visitors the chance to appreciate how much effort and expeirence that goes into creating a single piece of artwork.

    You can decide in advance which aspects of your process you would be happy sharing so that you have an arsenal of responses that will engage your potential buyer.

    Don’t think of #Cafdgg as just a financial buying process. Visitors who buy your work are more likely to have an emotional connection to it. Artwork can be sold through discussion on what the buyer likes about it, why it resonates with them or where it takes them to mentally.

    For you it can be a revelation to hear our visitors revealing aspects of your work that were previously hidden, even to you. Selling is a win win situation. The more they feel the connection, the more likely they are to respond and desire to continue that interaction, and buying pieces for their home, office or business.

    Price transparency is so important, as some visitors can become nervous about asking a price as they fear they may not be able to afford it or feel you may do a hard sell on them. On a side note, you can have one price list that at acts as a business card for them to take away as a prompt or each individual item can be priced up.

    On your exhibition space always have business cards and contact details, any planned workshops or learning experiences and use your laptop or a book to collect email address for future updates whilst encouraging visitors to log onto your website and follow you on social media.

    And finally, value-added additional services – framing, mounting, or customise options, be open to collaboration with visitors on special requests or commissions, offer to lend artwork for a trial period, provide assistance with installation and placement.

    I hope this gives you a few ideas that selling artwork is not just about a simple transaction; it is about building relationships and creating memorable experiences. By adopting a customer-centric approach and focusing on engagement your passion will shine through as you maximise your selling potential.

     

     

  3. Review of 2023

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    After every arts event I do for #Cafdgg I ask the exhibitors for their review of the event, and to be as outspoken as they feel able.

    There is a measure of trust, as some artists may feel if they are critical then they will not be invited back to exhibit at #Cafdgg, however in all cases I am thankful for their comments as I view them as a learning point for me – I don’t know the experience of exhibiting with us, I only know what it is like to curate the event – two very different processes!

    It is my hope that each year #Cafdgg is easier for every exhibitor to attend, where they can relax knowing that all they need to get into the Town Hall is ready with helping hands, setting up their displays is simple with hooks. loops. perlons, table, chair and backing display board ready and waiting for them and to enjoy the process of exhibiting with us.

    The reviews were welcome and pleased that so many artists sold well, booked places on their workshops, took on commissions and leads from the fair.

    The applications are open from January 5th 2024

    It was a joy to be able to support new artists and returning artists from nine years of events, all part of the #Cafdgg community.

     

  4. Our delicious cake recipes from the Golden Cup Cafe

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    So many of you have asked us to share our recipes for our delicious Bundt cakes we sell in the Golden Cup Cafe so here they are:

    Basic mixture

    225g butter

    450g sugar

    4 eggs

    350g plain flour

    1/2 teaspoon salt

    1 teaspoon vanilla extract

    1/2 teaspoon Bicarb of Soda

    250ml plain yoghurt

    Heat oven to 165C

    Prepare bundt tin – brush with cool melted butter sieved flour making sure all areas are covered

    Combine dry ingredients

    Mix wet ingredients together

    Cream butter and sugar until light and fluffy

    Add eggs one at a time

    Add some of dry mix, then wet mix and repeat until all combined

    Carefully pour into cake tin, tap to set cake mixture into place

    Place on baking tray and cook for 1hr 30 mins, test with a skewer, it should come out clean

    Cool in tin for 15mins

    Oh so gently place cooling rack on top of the cake and turn upside down and hope the cake drops out odf the tin in one piece!

    Decorate as the mood takes you…..

     

    For variety in the bake try:

    1 teaspoon of orange, lemon or almond extract

    Spices like ginger with 3-4 chopped balls of stem ginger + 4 teaspoons of ground ginger

    Lemon and poopy seeds, vanilla and lavender, chocolate chip 100-150g , marinated fruits or nuts

    Swap the yoghurt for jam, marmalade, curds

     

    With thanks to the ever brilliant Jane Whittaker from Knead It Bakery

     

     

  5. Our artists exhibiting during Warwickshire Open Studios

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    Our fab artists from Warwickshire are exhibiting their work around the county, so why not pop along and support them?

    Here are the artists and their venues:

    Alix Almond Venues 15 and 80

    Ann Donnelly Venue 108

    Ben Cowan Venue 77

    Claire Brierley Venue 106

    Claire Seneviratne Venue 56

    Clare Shilvock Venue 80

    Deborah Dutton Venue 39

    Francine Brown Venue 122

    Gaby Spencer Venue 129

    Ilona Pike Venue 113

    Jane Moore Venue 82

    Jo Wade Venue 113

    Lizzie Bentley  Venue 121

    Lucinda Batchelor Venue 122

    Martin Sanders Venue 112

    Melissa Keskinkilinc Venues 3 and 103

    Sarah Methuen Venue 112

    Sarais Crawshaw Venue 34

    Sharon Highway Venue 112

    Theo Wright Venue 17

     

     

  6. Travels

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    I love pottering about, checking out beaches with rock pools, paddling and occasionally swimming in the sea, looking at the changing weather patterns and walking through glens and glades – basically I love being outside in nature, bathing in the experience.

    I feel that I am grounded as I walk and I can let my mind wander about what I want to do with my art events, reviewing it in my mind and reliving the rollercoaster of emotions of the event.

    This May I went up to the Outer Hebrides and down to Caswell Beach in the Mumbles at Gower and what I was struck by was the different way people use the beaches – the Gower is all about tourism, day trippers  and the immediate gratification in running onto the beach and straight into the water; leaving towels, campfire BBQ’s, strewn clothes with an exuberance that is joyful to watch. The beach was an extended school room with classes of children in groups learning about seascapes, elderly swimming groups with a collection of swimming hats to be envied, the odd horse and riders, surfer and paddle boarder schools in red and black uniforms, teenagers cliff jumping and geriatric paddlers. So many uses on the shared space, bubbling with life and noise from sunrise to way after sunset.

    By comparison the beaches on the Hebrides went on for miles of golden sands, few rock pools and even fewer visitors. It felt they belonged to the locals, walking their dogs in solitude and with purpose. The long days of sunshine gave time to be in the space, almost loosing time of meals and sleeping.

    It could be to do with the weather, Caswell was a clear 28 degrees whilst Harris crept up to 16 degrees at the hottest. I found experiencing to two weather condition so quickly brought the weather and the way we live with beaches into such sharp contrast, but for me Harris left me energised, thoughtful and ready to move onto my next adventure….

  7. Our new artists at #Cafdgg for 2023

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    Every year I get ridiculously  excited by our new artists exhibiting with us at #Cafdgg and the Panel aims to support a minimum of a third new artists, a third returning artists from previous years and a third from last year. Each event you can see new and exciting work by emerging artists, as well as welcoming back artists you may have met before.

    As artists they know that each year the Panel work towards being able to support different crafts – both modern and heritage, and this year we are hopefully raising your passion for glass and textiles.

    We have Ann Donnelly, Clare Gaylord, Melissa Keskinkilinc, Niki Crew and Sara Davis displaying an incredible range of glass work joined by Deborah Dutton, Helen Leaf, Jill Pargeter, Shelia Davies, Theo Wright and Shelley Faye Lazar sharing their tactile textiles.

    Have a look at the artists webpages on our site to find out more about their exceptional work

  8. The power of artistic endeavours

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    I was reading an article where the author described how he was completely overwhelmed as he stood in front of a painting in the Burrell Collection in Glasgow. He told of how he needed to sit, control his breathing and to settle himself before moving away from the painting – it literally took his breath away.

    This man’s reaction was textbook Stendhal syndrome, a psychosomatic condition where an artwork causes such a powerful mental and physical reaction in the spectator they can actually faint from pleasure.

    As I have been going through the applications for #Cafdgg the quality of the applications has been spectacular, and whilst I haven’t fainted with pleasure yet I have seen some work that has made me stop and sigh with pure joy at the ingenuity, quality, design and manufacture of the pieces of art.

    Our arts fair is free entry with donations to local charity #LifeSpace, so you can visit as many times as you want over the weekend  bringing friends, family and visitors to the event.

    In case anyone does feel overwhelmed by the sheer range and quality of the art exhibited, we have the Golden Cup Cafe where you can recover before buying the piece of artwork that made your heart flutter….

     

  9. Social Media support for you

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    I read a lot about making your posts stand out on social media and here are 10 tips from Artsy that I thought you might be interred in:

    1. ADD A PERSON

    Always include a person for scale (it helps if they’re dressed interestingly). A person in the image gives the work dimension and keeps the shot from looking too sterile.

    2. ILLUSTRATE DEPTH

    Try shooting through a work to add dimensionality and scale.

    3. KEEP WHITES WHITE

    Filters and processing apps are easy-to-use tools that give your photos the boost they need to catch your audience’s eye. Use features like Snapseed’s Selective Adjust tool to desaturate walls and make them appear as white as they are in person.

    4. INCLUDE CONTEXT

    While it’s tempting to keep your shot tight, step back to show more of your display and put the image in context.

    5. SHOW CONTRAST

    Get creative with colour in your image—you only have a second to capture attention with your post and strong uses of colour can capture attention quickly.

    6. CREATE A FOCAL POINT

    You can enhance the focal point of your image by including subtle vignetting (darkeningof the edges of the image) in apps like Snapseed.

    7. TELL A STORY

    Try to include information about the works you’re presenting, a short fact can make your caption much more compelling.

    8. RESEARCH HASHTAGS

    Do a quick search to make sure you’re including the official hashtag for the fair in your caption, as well as the top trending hashtags. Also use your posts as an opportunity to promote your hashtag if you have one.

    9. USE A GEOTAG

    Adding a geotag is a quick and easy way to make your post more discoverable.

    10. DIRECT TO MORE INFORMATION

    The link in your bio is a great place to include more information about your artists and fair presence (i.e. your booth on Artsy).

     

    Hope you found it interesting and can find more information on https://partners.artsy.net

  10. Bathing in the New Year

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    So when part of the ceiling fell down in my kitchen in late November I knew it was time to swing into action.

    The plumber and I discovered a slow leak from the shower from whence the floorboards had rotted, the joists needed drying out before the damage could be assessed and the tiles once touched fell from the wall onto my waiting hands – I can only marvel at the range of teeth sucking noises my plumber and his mates have to demonstrate the seriousness of my damp plight…

    I no longer had a working shower but I had a lovely bath I had not really used unless I had been over excitable in my fitness regime and needed a long soak to calm my aching muscles.

    It has been a revalation having a daily bath; sometimes it is a quick wash in a puddle, some times a waist deep splash and submerging hair wash, whilst on rare occassions it can be up to the chin immersive soak taking my time to luxuriate until prune skin develops…

    I make my own soaps, distilling plants from my garden to make essential oils and flower water that I use to scent my gorgeous soaps with. I make the experience of scented bathing enjoyable and will miss it when my bathroom will be redone in May.

    However the thing that I have realised that one needs art in the bathroom to look at, I know have you thought of it before? We have art in every room apart from the bathroom – I know a beautiful wooden bath tray to hold soaps and a wine glass is great but if you are lying there you need something to look at besides your toes or a damp book.

    So there you have it, anyone any ideas?

     

  11. #Cafdgg applications open January 1st 2023

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    After the busy month of November where I curate and run our Arts Fair Discover:Gather:Give, I need a month to reflect, clam down and review how the event went for me, the artists and the supporters.

    All our artists are asked to review the arts fair as to how it was for them and what I can do better to make the event as stressless as possible for both artists and visitors alike. Most artisits reply and their responses are vital as I cannot experience the event as they do and also how they viewed the organisation and social media support.

    All of the responses give me ideas and I am thankful for them. This year’s issue is so simple but I have never thought about it before – sending a receipt for payment for the exhibition space as soon as exhibitors pay, so simple, tax changing!

    So a big thank you to each exhibitor who has replied, all data is gratefully recieved!

    The applications are open from 1st January to 1st March closing at noon.

    Please email me at Judith@discovergathergive.co.uk for more information about exhibiting with us at our fab arts event.

     

  12. Thank you one and all of another fantastic #Cafdgg 2022

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    Every year in the lead up to #Cafdgg I worry about how I can make it the best for our wonderful exhibitors and visitors, and this year was no exception.

    The visitors came in their droves, the artworks left the building with happy buyers and I felt I chatted all weekend with brand new visitors from afar, welcoming back locals, our glorious stalwarts plus inquisitive new visitors wanting to see what it was all about from our social media posts and local radio interviews.

    There was a gentle hum throughout the weekend as visitors met exhibitors talking about how their work was developing, taking commissions in time for Christmas, how they made their art work and sliding pieces of work away after a knowing present buying secretive nod.

    I was pleased to read in the exhibitor reviews about the number of visitors who took up places at workshops being held in 2023 as presents for themselves or others.

    The Golden Cup Cafe and the exhibition of Temple Goodies was busy all weekend, with some visitors not quite believing in the golden tea sets and teapots until they walked into the Ballroom ante-room upstairs and were hit by the glimmering display. I cannot begin to tell you how many visitors comment that the tea and coffee tastes better out of china cups and I felt more photos were taken of the cafe than last year!

    In the exhibitor reviews after #Cafdgg it came up about the warm and friendly atmosphere of the event and how enjoyable was to meet other exhibitors, both new and returning artists. For me this was the most important report as I feel it is my job to make the experience of exhibitors as stress free as possible, so they can concentrate on sharing their work, networking and hopefully making new artistic friends.

    The Private View was a hoot, and I especially enjoyed seeing the exhibitors chatting together before we opened the event to our invited guests. We were so busy the bar ran out of glasses so had to do a major washing halfway through the evening. I felt it set us all up for a relaxed weekend.

    I cannot put on this event without the unfailing help of my family, friends and helpers – thank you once again and are you ready for next year?

  13. Nearly time for this year’s #Cafdgg – whoop whoop!

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    A few weeks and counting for our Arts Fair Discover:Gather:Give – whop whop!

    Have a look at our exhibitors page to see who is coming this year as we have many new and as well as our returning artists. Every year the Panel chooses a range of artists to showcase different styles, mediums, price points with passion and joy.

     

    I visit many arts events over the year, looking at how other organisers put their shows together and what I can learn – from each event I take something away to mull over.

    However the real joy is meeting the different artists and seeing how they are developing, so that each of the artists at #Cafdgg always show movement in their artistic endeavours. Like you, I don’t want to see the same old designs rehashed or endless print runs devaluing once interesting work – I look for deep rooted skills base, for craftspersonship, for pride in their work.

    All of our artists are at a point in their personal artistic development and I am forever thankful that they are able to join us  to share their work and for you to fall in love with it….

  14. Instagram Highlights – how to use them

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    This post is from Trend Build, however I thought it really useful as it is something I am working on to promote all the artists at #Cafdgg.

    You may have seen that many Instagram users display their stories in tidy little circles and wondered how they did it. Or maybe you’ve heard others talking about their Instagram Highlights and been confused as to what they are.

    Here, you’ll learn everything about Instagram Highlights, including what they are, how they may help your profile, and how to make the most of them.

    What are Instagram Highlights?
    Instagram Stories that you want to highlight on your profile indefinitely are called “Highlights.” It’s a terrific method to keep your most successful stories running if you put them in a Highlight, where they’ll remain accessible even after 24 hours have passed. The Instagram feature known as “Highlights” is a must-have.

    An individual Highlight may be viewed and navigated in the same way as any other story, excluding the visitor’s list. The list of viewers disappears once the story you saved has been up for 24 hours, and all that remains is the views count.

    You can create an unlimited number of Highlights, but each can only include up to 100 pics or videos. When there are too many to fit in one view, you may scroll left and right to see more.

    How to Make a Highlight on Instagram
    For those who haven’t done so before, Instagram lets you compile Highlights from either your most recent story or older stories. Therefore, you must activate the archiving function. The Stories Archive is normally turned on, but if it isn’t, you may turn it on manually as follows.

    • To access your account settings, go to your profile and click the menu button.
    • Navigate to Settings > Privacy > Story.
    • Turn on the option next to “Save story to archive” to save your story.

    Once you have enabled archiving, you can proceed with making your first Highlight. Following is a rundown of the steps required to make your first Instagram Highlight by including the current story:

    • Go to the Instagram story.
    • Click the lower Highlight button.
    • To add anything new to your highlight, choose New from the Add to Highlights.
    • You may personalize the cover and give the highlight a name.
    • After that, choose Add, and then Done.

    Alternatively, you may use an older Instagram story that you uploaded as the basis for a Highlight. In this way:

    • You may start a new entry by tapping New on your profile.
    • To create a new Highlight, choose the items you wish to include and press Next.
    • Set the cover art and give your Highlight a name.
    • When finished, choose the Add and Finish buttons.

    So long! Your Instagram profile has been updated with your first Highlight.

    What Can You Use Instagram Highlights For?
    With Instagram’s Highlights feature, you can give your followers a hand-picked selection of their favorite posts to peruse. They are crucial if you use Instagram to promote your blog or online shop.

    A few examples of possible applications for Instagram’s Highlights feature are as follows:

    • Showcasing a variety of your published content kinds
    • Featuring several types of things you have available for purchase.
    • Maintaining a uniform aesthetic across your Instagram account.
    • Providing easy access to small pieces of data to people.

    There are many more possibilities; perhaps, the aforementioned examples have sparked some creativity in you. In addition, you can browse all of your saved Instagram stories in one place and organize them geographically into a Highlight.

    Simple Ways to Upgrade Your Instagram
    Instagram’s popularity and features continue to expand. You probably forgot about Instagram Highlights when it first came out since it was simply one more new feature. Instagram often steals the greatest features and concepts from rival applications, and highlights are a prime example of this.

  15. Thank you Ma’am

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    What a sad time with the loss of Queen Elizabeth, the matriarch of the family.

    Such well rehearsed and dignified pomp and pageantry for the monarchy, yet so little about the woman.

    Family grief ripples through the ages and my condolences to the family for the loss of someone so important to them.

  16. Our exhibitors for November 2022

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    Every year I do our Contemporary Arts Fair Dsicover:Gather:Give I get ridiculously excited about sharing with you our inspiring artists who will be exhibiting with us and this year is no exception.

    Over the next few weeks I will be sharing with you on social media photos of our first time exhibitors, our exhibitors who we welcome back after a break and one or two of our exhibitors who will always have the option of exhibiting with us as a thank you for the support they gave me when I first set up #Cafdgg in 2015.

     

  17. Be kind to yourself and take time

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    Since my sister moved to the Outer Hebrides on the Isle of Harris I have visited her each year and cherish the time we have together in this beautifully dramatic island.

    The walks on the endless white sandy beaches when the tide is out, gives me the time to mull over what has been on my mind, settling my confusion and letting my imagination free range lifting and soaring along with the sea eagles, watching the playful rolling of the seals and the excitement of rock pooling for inspiration.

    It is the joy of looking around, taking in nature through all of my senses as I get into the rhythm of walking.

    As life unfolds I realise that we each need our moments of reflection to rebalance our lives.

    It is so easy to fall into the busy-ness trap, of saying yes in giving to others when actually you need self time so you have the energy to follow through your ‘yes’ and not resent the energy expounded in completing your ‘yes’. A little self-care goes a long way to restore your energy.

    Don’t feel guilty about taking time out for yourself, actively put yourself in a mindful moment through sound – sound baths with its relaxing vibrations; Forest bathing developed in Japan in the 1980’s where it is called Shinrin-yoku; walking through nature to find a special place to observe this living picture as the light changes through time or just stepping off the relentless treadmill by having a fifteen minute snooze – pause and allow yourself to revaluate what stresses you and work your way back to that quiet moment when the stressors are no longer important.

    So take your time, give yourself  moment before you answer the next plea and make your ‘yes’ worth your while….

  18. Have you been to one of the Warwickshire Open Studios yet?

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    Warwickshire Open Studios is a wonderful not-for-profit organisation run by artists for artist and I cannot think of a better place to pique your artistic desires….

    Warwickshire Open Studios artists have welcomed visitors to their working studios from 2000 and has steadily strengthened its links and is now the premiere Open Studios in the country with over 400 artists displaying their work over 149 venues over 16 days and the largest free event regularly allowing over 30,000 visits.

    I know their aim is to make art accessible to and for all – so close to my heart with #CAFDGG – and offering a diverse range of venues  bringing together artists who range from professionals to a Sunday dabbler, but each have a passion for their art.

    It is run entirely by volunteers and the current Board members are:

    If you would like to get involved then please contact admin@warwickshireopenstudios.org.

    If you can’t wait to see some of our fabulous #Cafdgg artists this coming November 18th to 20th we have a selection of artists who are exhibiting as part of WOS, so go and see them to say hello…

    Ali Perry Venue 132

    Alix Almond Venue 84 and 122

    Ann Donnelly Venue 31

    Christine Hodges Venue 56

    Claire Brierley Venue 30

    Claire Henley Venue 31

    Claire Seneviratne Venue 78

    David Shepherdson Venue 101

    Fiona Kingdon Venue 111

    Jaqui Smithson Venue 84 and 145

    Jane Moore Venue 86

    Jo Wade Venue 19

    Martin Sanders Venue 16

    Melissa Keskinkilinc Venue 51 and 137

    Sarah Methuen Venue 16

    Sharon Highway (Mallory Journals) Venue 16

    Sonya Vengrova Venue 147

    Sue Barclay 134 and Venue 137

    Further information can be found here if you want to plan a visit wostudios.org

     

  19. Charity Awareness Days and Events

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    2022 charity awareness days and events

    Stay up-to-date with charity awareness days and events with this list of awareness days and weeks for you to get involved with.

    June

    Pride Month

    1-7 June –Volunteers’ Week 2022

    5 June – World Environmental Day

    7 June – Tourette’s Awareness Day

    7-12 June – World Heart Rhythm Week

    6 – 12 June – Carers Week

    8 June – World Ocean Day

    13 – 17 June – Loneliness Awareness Week

    17 June – National Clean Air Day

    20 June – Small Charity Week

    20 June – World Refugee Day

    20-26 June – Cervical Screening Awareness Week

    July

    Talk To Us month

    Plastic Free July

    25 July – National Schizophrenia Awareness Day

    27 July – Walk the Night (Breast Cancer Care and Prostate Cancer UK)

    August

    15 August – Cavernoma Awareness Day

    September

    World Alzheimer’s Month

    Organic September

    3 September – EveryWoman Day

    8 September – International Literacy Day

    10 September – World Suicide Prevention Day

    13 September – Roald Dahl Story Day

    15 September – Pension Awareness Day

    17- 25 September – Great British Beach Clean

    19 September – Youth Mental Health Day

    21 September – International Day of Peace

    October

    Black History Month

    Breast Cancer Awareness Month

    Go Sober for October

    4 – 7 October – The Children’s Trust / Humphreys Pyjama Week

    4 October – World Habitat Day

    10 October – World Mental Health Day

    11 – 16 October – UK Malnutrition Awareness Week

    November

    1-5 November – Trustees’ Week

    2 November – National Stress Awareness Day

    7–12 November – Talk Money Week

    13-19  November – Transgender Awareness Week

    15-20 November – Book Week Scotland

    December

    2 December – Fuel Poverty Awareness Day

     

    With thanks from the Directory of Social Change

    ByGabriella Poznansky, Digital Content and Communications Officer, DSC

  20. Lighting is everything in your applications to #Cafdgg

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    I have just finished sending all the photographs and links to the Panel who help me curate the artists who will be exhibiting at #Cafdgg for this November, and one or two artists whose work I know presented poor photographs and which really let their application down and I had to endorse their application to get them through the application process.

    The better the photographs the more professional your work will look and automictically you will have more artistic gravitas. Poorly lit and out of focus photographs put forward a view of slap dash unprofessionalism and lack of respect for your work.

    So here is a brief guide on the most important thing in taking photographs – LIGHT!

    Use natural light

    The most obvious and simplest option is to use sunlight. When getting ready to shoot anything on camera, let the sun shine directly onto your piece of work. This will provide a beautiful, even light that helps brings depth to your photos.

    If you are taking photos in full sun and shadows mar the detail of your work, use a very sheer white net curtain or fabric, even a translucent white shower curtain which can defuse the light into something softer.

    Although using deep shadows can add drama and throw the emphasis on details of your work as shown by Jo Verity’s decoupaged skull.

    Fiona Kingdon uses her fret working skills to produce simple lamps that look spectacular when illuminated illustrating the fineness of the wood grain used. http://www.fionakingdon.com

    A three-point light for low-light rooms

    For more traditional lighting, keep the window to one side of your artwork, whilst the other side can be filled with lighting from a daylight coloured bulb in an Anglepoise lamp to even out the light distribution.

    If you can still see dark shadows on your artwork, you will need to add bounce back lighting. You can buy a professional small bounce, although I would suggest you use a piece of white card stock for a softer natural light fill or aluminium foil for a stronger fill to bounce the light from the window back onto your artwork.

    You can make a small studio by folding white stock card into a V shape then propping up for your work on the base of the V for more controlled lighting as Matthew Warburton uses

    Photographing on a light box gives beautiful reflections with a soft defused light, although make sure the background does not distract from your artwork. Jane Moore creates enamel jewellery http://www.janemoorejewellery.co.uk and uses a white background for maximum effect.

    Use lighting to emphasis the unique beauty of your work, for example with translucent decorative glassware the colours shown by the light going through the glass make an arresting coloured shadow effect enhancing the mood of the photograph as shown here by Kate Webley http://www.pod4art.com 

    For night-time/ low light photography

    Use two daylight-coloured bulbs in lamps, one on your left and one on the right of your artwork and a bounce behind. These two lamps should help minimise shadows and evenly light your artwork.

    For photographing outside

    When using your phone camera try the Portrait mode to focus tightly on your artwork and blurring the background. Edit to tightly crop the photo to keep your artwork the focus in the photograph. Niki Crew’s Christmas decorations are placed appropriately and use the portrait setting on a phone beautifully.

    If you want the background to tell a story about your artwork, make sure it is relevant and as in this photograph by Caz Brogden and her surfeit and silver ring hewed from up cycled surf board resin.http://www.carolinebrogden.co.uk

  21. Planning your annual calendar

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    Every year is full of important dates and 2022 is no different, so here’s a heads up for dates this year and see if you can use this calendar to promote your work on social media, lead up to events and present buying.

    Of course one very important date is November 18th to 20th for Discover:Gather:Give Contemporary Arts Fair at Stratford-upon-Avon’s historic Town Hall!a row of coloured note books

    To help you plan do consider Sharon Highway’s fab journal to write down all your ideas, thoughts and musings….

    New Year’s Day Jan 1st
    BANK HOLIDAY Jan 3rd
    BANK HOLIDAY (Scotland) Jan 4th
    Epiphany Jan 6th
    Burns Night (Scotland) Jan 25th
    Chinese New Year Feb 1st
    Accession of Queen Elizabeth II Feb 6th
    Septuagesima Sunday Feb 13th
    St. Valentine’s Day Feb 14th
    Quinquagesima Sunday Feb 27th
    Maha Shivaratri (Hindu) Feb 28th
    Isra and Mi’raj (Muslim) Feb 28th
    St. David (Wales) Mar 1st
    Shrove Tuesday Mar 1st
    Ash Wednesday Mar 2nd
    Quadragesima Sunday Mar 6th
    Commonwealth Day Mar 14th
    St. Patrick (Ireland) Mar 17th
    Bank Holiday (N. Ireland/Eire) Mar 17th
    Holi (Hindu) Mar 18th
    Annunciation (Lady Day) Mar 25th
    Mothering Sunday Mar 27th
    British Summertime commences Mar 27th
    First Day of Ramadan (Muslim) Apr 3rd
    Palm Sunday Apr 10th
    GOOD FRIDAY Apr 15th
    Passover (Jewish) 1st day of Apr 16th
    Easter Day Apr 17th
    BANK HOLIDAY (Easter Monday – Excl. Scotland) Apr 18th
    H.M. The Queen’s Birthday Apr 21st
    St. George (England) Apr 23rd
    Low Sunday Apr 24th
    Laylat al-Qadr – Night of Destiny (Muslim) Apr 28th
    BANK HOLIDAY May 2nd
    Eid al-Fitr (Muslim) May 2nd
    Liberation Day (Jersey/Guernsey) May 9th
    Rogation Sunday May 22nd
    Ascension Day May 26th
    Coronation Day June 2nd
    BANK HOLIDAY June 2nd
    Queen’s Platinum Jubilee Bank Holiday June 3rd
    Feast of Weeks (Jewish) June 5th
    Whit Sunday June 5th
    Bank Holiday (Eire) June 6th
    H.M. The Queen’s Official Birthday* June 11th
    Trinity Sunday June 12th
    Corpus Christi June 16th
    Father’s Day June 19th
    Longest Day June 21st
    Midsummer Day June 25th
    Eid al-Adha (Muslim) July 9th
    Bank Holiday (N. Ireland) July 12th
    Al-Hijra/Muharram (Muslim) July 30th
    Islamic New Year (1444) July 30th
    Bank Holiday (Eire & Scotland) Aug 1st
    Yorkshire Day Aug 1st
    Raksha Bandhan (Hindu) Aug 11th
    Janmashtami (Hindu) Aug 18th
    BANK HOLIDAY (Excl. Scotland) Aug 29th
    Ganesh Chaturthi (Hindu) Aug 30th
    Jewish New Year (5783) Sept 26th
    Navaratri (Hindu) Sept 26th
    Michaelmas Day Sept 29th
    Dussehra (Hindu) Oct 4th
    Day of Atonement (Jewish) Oct 5th
    Prophet’s Birthday (Muslim) Oct 8th
    Tabernacles (Jewish) 1st day of Oct 10th
    Trafalgar Day Oct 21st
    Diwali (Hindu) Oct 24th
    British Summertime ends* Oct 30th
    Bank Holiday (Eire) Oct 31st
    Hallowe’en Oct 31st
    Guy Fawkes Nov 5th
    Remembrance Sunday Nov 13th
    Birthday of the H.R.H. Prince of Wales Nov 14th
    1st Sunday in Advent Nov 27th
    St. Andrew (Scotland) Nov 30th
    Shortest Day Dec 21st
    CHRISTMAS DAY Dec 25th
    BOXING DAY Dec 26th
    BANK HOLIDAY Dec 27th
    Reproduced, with permission, from data supplied by H.M. Nautical Almanac Office,
    © Crown Copyright 2018

     

  22. Applications are now open for #Cafdgg 2022

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    Application Form 2022 Nov

    Welcome to the application blog for November 18th to 20th 2022 Discover:Gather:Give Arts Fair!

    The applications for #Cafdgg are open for our November Arts event, and I have attached an application form for 2022 in this blog.

    Please fill out the application form and send it back to me at judith@discovergathergive.co.uk

    https://discovergathergive.co.uk/wp-content/uploads/2022/01/Application-Form-2022-Nov-1-1.docx

    The #Cafdgg weekend and our very jolly Private View is now £200.00 plus an extra £20 for one of the larger pitches.

     

    It has been a tumultuous period for me personally and doing the event on my own is no longer viable plus adding Covid, Brexit, eye watering increases in rent for the Town Hall and increased running costs have forced my hand; it is with a heavy heart I have decided that I need to raise my fees to allow me to continue running our successful November event.

     

    The Winter Fair will run from November 18th to 20th and will be held in Stratford-upon-Avon Town Hall, where the Friday night is a Private View with Saturday and Sunday Open to the Public. In response to the artist’s review from last year I have decided that the Private View will start at 6pm for a social half hour between exhibitors before opening to our invited visitors from 6.30pm to 8.30pm.

     

    The application process is simple and there is no fee involved; please supply me with 4-10 quality high resolution images (300DPI) of your new work  – I would recommend sending your images using a file sharing website e.g. https://wetransfer.com/  – and links to your website to show your best work to put before the Panel.

     

    The Panel and I will allocate all places for the event in early March 2020. In response to the artist’s reviews for November 2021 there will be fewer exhibition spaces available.

     

    The Panel will offer you an exhibition space for 2022, a space on the waiting list for November 2022, decline your application or offer a place in the following year’s #Cafdgg in 2023.

     

    The offer of joining a waiting list is a live offer as in previous events I would anticipate a number of artists having to withdraw from each event due to changing life circumstances.

     

    #Cafdgg is a small gem of a curated exhibition where the focus must be on the overview of the exhibition as well as individual participants.

     

    For each event the Panel changes the composition of artists, and you are more than welcome to apply for next year’s #Cafdgg.

     

    If your work is declined an exhibition space, I do hope you understand that the Panel is not choosing against your work, but that it will not integrate with the overview of work on display this year.

     

    I ask for 50% of work to be originals and every piece made by the artists exhibiting. In keeping the standard of the artists’ work as high as possible, I can offer our visitors exceptional quality, new and original works from both local and regional artists and further it is vitally important that both you and that our visitors can trust the quality of the event.

     

    With this ethos of support for artists I do not take any commission on sales at the events, for work commissioned through the event, raffle prizes or testers.

     

    There is a one-off flat fee for the weekend of £200.00 for the standard exhibition space or £220.00 for the six larger exhibition spaces (the stage and in the corners of the rooms) and no hidden extra charges, plus I manage social media support on Instagram, Facebook and Twitter with a dedicated page for your work on the #Cafdgg website www.discovergathergive.co.uk

     

    The closing date is 1st March noon 2022 and your application will be offered to the Panel in early March along with all the other applications. There will be no preference given to early applications.

     

    I will confirm your application once received and I will be in contact with you over the Panel’s recommendation in early March 2022.

     

    If you haven’t heard from me do let me know, as I do not fully trust my computer!

    Besties,

    Judith

    Judith Layhe-Cook

  23. Contemporary Arts Fair Discover:Gather:Give #Cafdgg 2021

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    After our contemporary arts event Discover Gather Give I put aside a few weeks for reflections, review and assessment, listening to the comments made by visitors, artists and volunteers and how I felt the event went.

    It was the first actual live event after my husband had died last year during the Covid lockdown and he was an incredible support both mentally and physically in putting the event together. I really was not sure how I was going to feel about doing the event without him, however I cannot shout loudly enough my thanks for the support both expected and unexpected from family, friends and our marvellous exhibitors; I am truly grateful and touched by your kindness.

    It was a grand weekend, with our exhibitors really pulling out all the stops to make the event visually sumptuous, elegant and a joy for visitors to buy at every exhibition space.

    The Private View had a solid number of visitors enjoying the WILD EVE  https://www.wild-eve.com/drink-the-wild  long drink with the best sourdough bakery in the area making our delicious food https://www.morbakery.co.uk  and even though it was Bonfire Night near two hundred people joined us over our very jolly evening with a number of sales taking place.

    Over the weekend there was a constant flow of visitors milling around. I was at the door hand sanitising visitors as they entered and chatted to many as they left the beautiful town hall with bags and packages of all sizes commenting ‘I’m so glad you are back’, ‘I’ve been waiting to buy from Claire Henley’ and ‘We love coming to see the artists as they are a really good standard of work’, ‘It is great to see so many quality artists together’, plus many more positive comments and welcome back’s!

    I realised that our visitors had really missed our high quality live event as there is nothing like talking to an artist who shares their enthusiasm and passion for their artwork, to talk through commissioning a piece of work from them or buying a card to remind themselves about the artist – thank you for your support of our event and especially of our inspiring artists.

     

    I will be putting on our next #Cafdgg over the weekend of November 18th to 20th 2022 at the Town Hall, so do pop it in your diary now

     

     

  24. Have you got the date in your diary?

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    November 5th for our very jolly Private View from 6pm to 8.30pm and November 6th and 7th Open to the Public from 10.30am each day, we close our doors at 5pm on Saturday 6th and 4pm on the 7th.

    I have managed to keep it a free entry to all visitors so you can come as many times as needed over the weekend to have a good look at the artwork and meet the artists.

    There will be hand sanitiser at the door, at the top of the stairs and upstairs by the cafe entrance, so please be covid aware.

    Any questions, please contact me on Judith@discovergathergive.co.uk

  25. Alan’s Wake Party

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    I hope you are all well and enjoying this lovely summer, whether at home or away.

     

    As you know my lovely husband Alan died last year and due to Covid we had a very small funeral – just the six of us –  and no Wake to celebrate his life, so we have decided to hold a celebration party on Saturday October 2nd.

     

    Alan was such a positive driving force behind the scenes of the Discover Gather Give Arts events, supporting me both physically – have you any idea how heavy those large display boards are? – and mentally to pull everything together with planning, setting out the designs for exhibition spaces and of course two days of washing up in the Town Hall kitchen!

     

    Alan loved watching the boys play rugby, the tours when they were small and socials as they grew; so we are donating a silver cup to Stratford-upon-Avon Rugby Club for the Man of the Match for the Developmental Team to be celebrated every time the team plays at home. The inaugural award will be given after the match between Stratford and local rivals Shottery on October 2nd at 3pm. It has free entry and plenty of parking for the day.

     

    Our plan is for you to join us at the Rugby Club to watch the match and dedication of the cup, followed by a short walk to Cox’s Yard (ten minute stroll) for food, drink and swapping merry Alan stories. We aim to trickle into Cox’s yard at about 6.30pm, raising a dram to Alan near 7.00pm followed by a buffet from 7.30pm.

     

    As the day is split into watching rugby and an early evening celebratory party, you are welcome to join us for the whole day and evening, just the match or join us at the celebratory wake party to raise a glass and lend an Alan related story. We’re hoping to fill a pinboard with memories and photos of Alan, so if you’d like to contribute please feel free to bring them along with you or email them to me.

     

    The dress code is casual as we will be dressed for rugby, however a flash of tartan would never go a miss.

     

    The Rugby club address

    Pearcecroft, 67 Loxley Rd, Stratford-upon-Avon CV37 7DP

     

    Cox’s Yard address

    Bridge Foot, Stratford-upon-Avon CV37 6YY

     

    Parking information

    Parking is free at the Rugby Club, however the gates close after the match. The closest parking is in the Marina car park, Bridgefoot car park or the Leisure Centre. here is the link to parking in Stratford:-  https://www.stratford.gov.uk/parking-roads-transport/car-parks-in-stratford-upon-avon.cfm

     

    RSVP for the Wake Party

    Hugs all round

    Judith, Jo and Joey, Cally, Alex, Ru and Brodie xxx

     

    Update Oct 3rd 2021

    What an incredible day and evening – Alan would have loved it!

    Thank you to the huge crowd at the rugby, Richard Jasper from The International Highlanders for his rendition of ‘Flower of Scotland’ on the bagpipes and to all our friends and family who made it so special…..

     

  26. July – the month for videoing your work

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    Thank you to Charlie Budd chinbadgermedia and Venture House venturehouse 

    10 tips for videoing your work

    Published on 29th January 2021 in Venture House

    It’s time to up your video game.We all know that to market our businesses we need to stand out. And video is one of the best ways to grab people’s attention online.But many videos posted by businesses online are poor. So here are a few quick tips from someone who makes videos for a living. Me.

    1. Preparation is key

    A video is a story – so write a few bullet points about what you want to say. How will your video help people? Is it interesting to potential clients? Have a clear message – an intro to tell people what the video is about, the main course which is the content, then a call to action at the end.

    1. Location, Location, Location 

    No, I don’t mean Kirsty and Phil… I mean where are you going to film? Choose somewhere preferably light and quiet with few audible or visual distractions. Where you film tells part of the story. In an office, outdoors, at home, in a factory. How can you use the location to tell your story?

    1. Let There Be Light…

    The cheapest and best light is that whopping great ball of nuclear fusion in the sky.

    Film outside if that works for you, preferably in some shade so you’re not squinting.

    If you’re filming indoors, try facing a window with indirect sunlight. Video lights are now quite cheap, if you want to film at all hours, or in a dark room.

    1. What Camera?

    I’ve got 7 cameras – including the easiest to use, most portable camera ever invented – the smartphone. Most modern smartphones take good enough video quality for vlogger type videos. If you want to invest in better gear then a mirrorless camera like the Canon M50 is ideal.

    1. Keep It Clean

    I mean your camera lens, of course. Aside from poor lighting, a dirty camera lens is the biggest cause of poor quality video. Always give it a wipe before filming. Opticians’ lens cloths for your specs are ideal, or the hem of a clean top.

    1. Positions Everyone! 

    Unless you’re going for a particular funky look keep yourself nice and upright, no slouching at the back, yes, you, sit up straight. And make sure your camera is straight too – preferably invest in some kind of a tripod, whether it’s a desktop one or a floor-standing one.

    1. Sweet Sounds

    People will switch off if your audio is terrible. Recording outdoors on a windy day can result in a horrid roaring sound. So don’t. Just try to find a quiet place to film.  If there’s air conditioning, try to switch it off.

    1. It’s A Set Up

    If using your phone, make sure you’ve got airplane mode switched on so you’re not interrupted by calls or notifications.

    Fix the focus and the exposure. On most phones this is done by pressing & holding on the screen where you want the focus and exposure fixed, and you can adjust exposure by sliding your finger up and down the screen.

    1. Aaaaaand ACTION! 

    For recording a ‘talking head’ type video it’s useful to remember to: pause, breathe, smile, speak, smile, stop. This allows you to edit your video if you need to at the beginning and end, with a smile. Once finished, breathe a sigh of relief and have a gin and tonic. If you review it and you want to improve it, you can always do another take.

    1. Editing

    Editing can really help tell the story. You can add captions, opening slides, ending slides, logos, music… whatever you want… depending on how involved and professional you want your video to be.

    On a given project, I spent about 80% of project time editing. It’s that important.

    For simple videos you can edit on your phone. But for anything more involved it’s easier to do it on a tablet or computer.

    Let’s Round It Up

    Video is a great way to really engage with your audience, and a bit of preparation can make all the difference.

    Either do it yourself, with my 10 tips, or if you want a professional video producer then contact me to have a chat, preferably over a piece of cake.

     

    Written by Charlie Budd http://www.chinbadgermedia.co.uk

     

  27. Have I got what it takes for #mminjune?

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    With over 20 videos for you to join in with making art work there are a few things you need to hand to work with our artists, and here is the timetable and things you need:

    Prem Time Requirements for the session
    Judith Sat 9am Tai Chi Qigong Just yourself in comforatable clothing
    Abi and Roz Tipperleyhill Sat 10am Flower painting A jar or mug of water, Kitchen roll or tissues, A pencil, A rubber, 2 good quality brushes, these really help with the washy strokes (1 x size 12 round brush & 1 x size 4 round brush), 1 x pan of watercolours (or tubes of watercolours), A3 pad of watercolour paper, 2 sheets of scrap or copy paper to test the colours and a hairdryer to dry your work (optional)
    Bec Judge Sat 11am Gouache resist painting Water colour Paper 300g thick paper, black Indian ink, brush to remove paint with, brushes to paint with, pencil, paint pallet, jar of water, access to tap, somewhere to dry your work, spray bottle and optional wax crayons
    Giulia Boccabella Sat 12 noon Crochet Crochet hook and wool
    Eric Klein Velderman Sat 1pm Collagraph printing Wood Glue, backing plate e.g mount board, paper, ink and brush
    Sue Barclay Sat 2pm Silver hoop earrings Contact Sue for her earring kit on creative.barclay@gmail.com
    Alix Almond Sat 3pm Lino printing Lino speedy carve, vinyl, speedball cutter, Japanese wood cut tools, roller,  water based ink,   your design, paper to print on,  tracing paper and spoon
    Jane Moore Sat 4pm Silver and enamel jewellery Watch and enjoy
    Barry Chadwick Sat 5pm Up cycled Sunflower sculpture Used aluminium can, scissors, stanley knife, iron, safety glasses, cardboard for template, biro/ Braddle and multipurpose glue
    Howard Lucas Sat 6pm Burning wood Wooden object, blowtorch, sandpaper and  wood dye
    Kate Wigglesworth Sat 7pm Whimscal painting Watch and enjoy
    Debbie Sun 9am Tai chi Qigong Just yourself in comforatable clothing
    Melissa Sun 10am Fused glass making Contact Melissa for her Fused glass kit on www.melissasmeltingpot.co.uk
    Jo Wade Sun 11am Clay printing Air dried clay, roller, block, printing ink, perspex, objects to press into the clay, paper to print on, water tray and metal spoon
    Niki Crew Sun 12 noon Scrapbook making A4 paper, glue, scissors
    Shelley Faye Lazar Sun 1pm How to wear silk scarves A selection of silk scarves
    Tara Davidson Sun 2pm Ceramic cane toppers Stoneware clay, sponge, water, slip, paint brushes, knife and fork
    Christine Hodges Sun 3pm Tetrapack printing Tetra pack, kitchen roll, craft knife, etching needle, your sketch, tracing paper, carbon paper, ink, card, cotton wool buds, printing press/ back of spoon
    Jo Verity Sun 4pm Decoupage Scissors, screwdriver, scalpel, paint brushes, black felt pen, cotton buds, wood stain, sandpaper, sealer, clear bees wax, paint, pva glue, images, wipe clean surface and blank wooden box
    Eleanor Allit Sun 5pm Papermache beadmaking Fastenings or elastic slip knot to make necklace, paper pulp from egg boxes,  PVA glue, water, sieve,  paint, Blender to mash up soaked up mashed egg boxes
    Ken Hurd Sun 6pm Watercolour resist Painting Watch and enjoy
    Ruth Woollacott Sun 7pm Growing flowers Watch and enjoy
  28. Have you got it in the diary? Make Merry in June 5th and 6th #mminjune

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    Make Merry in June #mminjune is a new online event where our wonderful exhibitors turn tutors and share with you their secrets of their trades, their passions and joy of what they do in creating inspiring art work.

    Over the weekend of June 5th and 6th from 10am until dusk on the hour we will be premiering videos made by our artists for you.

    You can see all the videos on our YouTube channel Discover:Gather:Give Arts Fair bit.ly/35QHRNh where they will stay for a while, at least until our next online event – they are an evergreen joy!

    Each morning will start with a session of Tai Chi Qigong to focus your mind and spirit by tutors from the Swan School of Tai Chi and Qigong swantaichi.co.uk – this is me in my other life…

    Then from 11am each day we will be sharing videos with you. There is a glorious selection of ‘How to’ art work videos to make along with if you so wish. Any work you make please send a photo of it to me and I will add it to our exhibition page on #cafdgg.

    I look forward to seeing your work and hear about your stories – enjoy!

    Baz Chad teaches you how to make a sunflower from up-cycled aluminium cans on Saturday 5th June at 5pm

    Eleanor Alitt teaches you how to make papermache beads on Sunday 6th June at 5pm

     

  29. The power of the decorative word

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    The written word has such power in art, have a look at the work of Ben Cowan, commemorative folk artists Ruth Noon and glass decorated cards by Melissa Keskinilinc.

  30. Vegan alternatives for painters

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    My thanks to Jackson’s art blog jacksonsart.com for this piece I wanted to share with you:-

    The Vegan Watercolourist

    By Sandrine Maugy

    For a lot of people, being a vegan is not only a way of eating, it is also a way of living. Eating exclusively plant-based food while using brushes made of real sable hair coming from fur farms wouldn’t make much sense.

    While brushes are an obvious example, diverse animal parts can sneak in unobserved in other watercolour materials.

    Here are a few watercolourist art materials that are safe for a vegan art practice.


    Choosing Vegan Watercolour paints:

    Paints need a binder and this can sometimes be made of animal products: Sennelier and Jackson’s use honey, while Schmincke and Winsor & Newton use ox gall. Daniel Smith and QOR watercolours are vegan friendly, as they use synthetic binders. They also both use a high concentration of pigment, which produces bright, saturated colours.

    Even if the binder is vegan, keep in mind that the pigments might not be. Bone Black is made of charred bones so any colour that has the pigment Pbk9 in its formula contains animal bones. Genuine Sepia is made from squid ink and Indian Ink from crushes bugs. Thankfully, a lot of animal derived pigments such as Scarlet and Indian Yellow are now obsolete and have been replaced with modern, more reliable and animal-friendly pigments.


    Choosing Vegan Watercolour Paper:

    Watercolour papers are made of rag, cotton or sometimes wood pulp. The best quality papers are pure cotton. The animal product element comes with the sizing. To give them resistance to washes, papers are sized internally and usually externally with a glue that can be made of animal gelatine. Saunders Waterford and Arches both fall into this category. Fabriano on the other hand, stopped using animal gelatine a long time ago and all their papers are now vegan friendly. Canson Heritage, Stonehenge Aqua, and Canson Moulin du Roy use vegetable or synthetic sizing.


    Choosing Vegan Brushes:

    Like their real fur counterparts, synthetic brushes come in a variety of styles and cater for all artists, from the soft touch painters to those who prefer a stiffer brush. The quality of the bristles is now just as good as the real sables and they give a wider range of texture and spring.

    Soft Vegan Watercolour Brushes

    If you like a very soft brush that caresses the paper, try da Vinci casaneo Series 5598, Jackson’s Studio Synthetic series 505 and Escoda Versatil.

    Another stunning one is the Princeton Neptune. When I first tried it, I thought that there had been a mistake and that I had been sent a natural hair paintbrush instead of a synthetic. If you are a fan of translucent glazes, the Neptune will float above the previous washes without disturbing them in the slightest.

    If you prefer medium texture with a good spring, ProArte Prolene + series 007 is a great brush. It is well balanced in the hand and responds well to gentle pushes, bouncing back in shape while giving you control in wet-in-wet washes. The da Vinci Cosmotop and Jackson’s Onyx are also springy without being scratchy.

    Strong, stiffer Vegan Watercolour Brushes

    If you like a strong, stiffer brush that can lift washes and give more control, the da Vinci Nova and Jackson’s Artica Toray have firm and less absorbent bristles.

    If you are partial to a quill brush, try da Vinci Casaneo 498, Jackson’s Raven 528 or da Vinci Spin synthetics 488.

    This should allow you to make yourselves an animal-friendly kit for your art practice. I am preparing a series of videos on my YouTube channel in which I will test the brushes mentioned in this post. You will be able to watch as I use them and comment on their performance.

    In the meanwhile, happy Veganuary and happy painting!

     


    Sandrine Maugy

    Sandrine Maugy is a well known botanical painter and a regular contributor of articles to the Artists & Illustrators Magazine, she has also published a beautifully illustrated Botanical Painting book on advanced colour-mixing theory and painting wet-in-wet when watercolour painting. She runs a very informative blog and an exciting, inspiring YouTube which is worth regularly checking for new advice and tips.

    Visit her website and her Instagram @sandrinemaugy to see more of her work and find out about her practice. Also, don’t forget to subscribe to Sandrine’s YouTube channel, if you want to see her upcoming series of videos.

     

     

  31. Application form for #Cafdgg 2021

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    Make Merry in June  #mminjune is our celebration of our wonderful artists who will share their skills and knowledge over the weekend of June 5th to 6th on our YouTube channel with premiered video sessions of demonstrations, workshops and even Chen style Tai Chi Qigong by Swan School of Qigong to start each day off with a smile…

    To apply for #cafdgg online June 5th to 6th Fair #mminjune or November 5th to 7th please download then fill out the form below and return it to me.

    I will confirm your application once I have received it, however if you don’t hear from me then please contact me on judith@discovergathergive.co.uk

    Click here to download your Application Form 2021

    I look forward to hearing from you!

  32. What will 2021 bring for #Cafdgg?

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    A belated Happy New Year to you all, she said with a smile!

    As the New Year starts with COVID rife and worries of the NHS becoming overwhelmed I feel we all need a little certainty in our lives.

    So I am planning on running a virtual fair over the weekend of June 4th to 6th and real fair over November 5th to 7th.

     

  33. Our first online Arts Fair

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    Over the weekend of October 30th to November 1st when we would normally be doing our fab Arts Fair at Stratford-upon-Avon Town Hall due to COVID-19 we went online by setting up a YouTube channel Discover Gather Give Arts Fair https://bit.ly/35QHRNh .

     

    It was a huge success for our first cyber outing with over 7,880 views of over 80 videos sent in by our artists. The videos ranged from shorts of 15-30 seconds to longer pieces of up to 30 minutes. The range was incredible, and they are still online now, so do pop over and look through them.

     

    It is fascinating to dig into the analytics and find out that unsurprisingly we had more female viewers than male, although they put in a good show of nearly 40%, and our age range of 18-24 and 55-64 years were the most popular, with the 30+ years coming in a close third.

     

    One fact that really surprised me was where our viewers came from; the UK and USA were to be expected but Belarus, Philippines, and Chile? So surprised and pleased that we can access the global markets.

     

    It brought home to me that as artists there are no limits to where you can sell your work, it is just getting your name out there and how accessible you are to your potential collectors.

     

    So I have decided that I will do another online fair in February 2021 using the skills I have learnt curating this year’s event – least of which is not to get the giggles, drop my phone whilst recording, sit in a squeaking chair or mince my words up into gobbledygoop!

     

    If you want to join us, then email me on judith@discovergathergive.co.uk

  34. Covid or not to covid, that is the question

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    COVID-19 has changed everything so far this year, along with extremes in our reactions to it – shield and stay completely at home withdrawing from society or go with fate in continuing as near normal; both are understandable and I empathise with the fear of becoming ill, loosing someone close to you or feeling the need to keep going. Life has changed completely and is unlikely to go back to the pre-covid times of popping into the #Cafdgg hooching Private View or Golden Cup Cafe for a coffee and cake whilst visiting the busy arts fair at Stratford-upon-Avon Town Hall.

     

    There have been no live events for our Artists so far, no teaching or lectures, no workshops or demonstration and no open houses. Their ability to meet with collectors and buyers face to face has dried up so I felt I could support our artists by putting on an online fair over the weekend of October 30th to November 1st when we would normally be doing our fab Arts Fair at Stratford-upon-Avon Town Hall so I set up a YouTube channel Discover Gather Give Arts Fair https://bit.ly/35QHRNh

     

    The aim is for you to see the artists and their work, to be inspired in your present giving – for yourself or others – to get in contact with them directly to buy and to build an artistic relationship with them. Artists are real people and that relationship based on knowledge and trust is vital in keeping artists working and enhancing our lives with their beauty and time honed skills.

     

    I put out the call and have been mesmerised by the videos the artists produced, some showing how they make their work, others talking and showing their finished pieces, a lecture, a slide show and speeded up double fast art in action – something for everyone to enjoy time and time again.

     

    We finished up with setting out a premiere every 30 minutes from 9.15am to 7.15pm for three days, with over 85 hours of glorious art. A huge thank you to our artists for their time and effort in supporting Discover Gather Give Arts Fair in 2020, and here’s to a better 2021!

     

    Webpage for Contemporary Arts Fair Discover Gather Give www.discovergathergive.co.uk

    YouTube channel Discover Gather Give Fair https://bit.ly/35QHRNh

  35. #Cafdgg On Line!

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    Over the last few weeks I have been thinking about #Cafdgg 2020 in relation to COVID and how much enjoyment the Arts Fair gave to both the artists and our visitors, and I realised that I couldn’t just pass it off for a whole year, so I have gone on line with our Arts Fair -whop whop!

    During the weekend of October 31st to 2nd November I will be putting on a virtual Arts Fair Gallery for you to explore alongside videos made by the artists.

    I’ll keep you posted as it all comes together….

  36. What I do for #Cafdgg Golden Cup Cafe….

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    So I have never worked in a real cafe or bakery, I missed out on the whole waitress or kitchen staff thing as a student choosing to work in Austin Reed as a summer job meeting some characterful customers and staff, but that is another post…..

    A huge part of #Cafdgg is our friendly and glorious Golden Cup Cafe, where you can meet friends, ponder what to buy from the fab artists exhibiting with us or even just pop in over the weekend to enjoy the coffee, tea, cakes and buns. It is the heart of the Arts Fair.

    I decided it would be interesting to work in a full time deli and bakery so I have spent the last two weeks working in the kitchen of the Temple wee Deli and Bakery in Northton in the Isle of Harris, https://www.instagram.com/thetempleharris/ what a learning experience!

    The team started work at 5am making the breads and delicious goodies opening its doors for the first time at 9am on 1st August with a long socially distanced queue waiting for the artisan sourdough breads, rolls and baguettes, with freshly roasted coffee, pastries, croissants, delicious sandwiches, soups and a whole wall of homemade jams, chutneys and scrumptious food.

    Each of the customers sanitised their hands using a lovely 70% ABV Mint & Rosemary Hand Sanitiser made by their sister company A.S.Apothecary https://www.asapoth.com/hand-sanitiser-and-hand-care/mint-amp-rosemary-hand-sanitiser

    I learnt how to make plaited Machair buns, flavoured with Wild Rose and Chamomile or Meadowsweet, all picked locally from the Croft or Machair where windblown shell sand built up over thousands of years to give the Hebrides a narrow but productive rim of floral heavenliness.

    The wildflowers of the machair are at their best during the months of June, July and August, reaching a fantastic crescendo in late July, with over 100 species identified as flowering in Harris one July day. Amongst the machair display are daisies and buttercups, thrift, clover, orchids (you might spot a heath spotted orchid, bog orchid, frog orchid or even a greater butterfly orchid), harebells, vetches, gentian, centaury, eyebright, chamomile and thyme.

    Tufts of frothy Meadowsweet grow along the single track roads in profusion, scenting the air with its sweet floral aroma and the wild roses hunker down to protect themselves from the South Westerly winds.

    Plants here are tough and low; the thyme is inches tall growing into carpets of purple on the sandy dunes with the roses growing into very prickly low thickets. Harvesting the flowers for the buns and preserves is great fun and local knowledge is imperative.

    We looked back through the payment system and realised the gap between serving each customer was three and eight minutes – no wonder I was rushed off my feet!

    It was a fantastic adventure and I am very thankful that the team of Ianthe, Matt, Connie and Amanda for letting me work with them to see how a full time bakery and wee deli function.

    I realise that passion, organisation, co-operation and respect for each others skill base is paramount to a successful venture,  using locally grown and sustainable fruit, vegetables and herbs, working consistently in producing the entire range of delicious goodies, the importance of keeping the customers informed through social media and for me, regular coffee from https://tindonkeycoffee.co.uk

    It is definitely not the job for the work-shy or night owls, but worth every moment when you hear the audible sighs and lips smacking from the customers and recognising them as they return day after day, literally eating their way through the Wall of Loveliness!

    I am sure they have sorted supply and demand by now, but as I left on my last day we had one solitary bread roll left….

     

    Thank you to https://www.instagram.com/thetempleharris/

     

  37. Sad news, cancelling #Cafdgg November 2020

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    After researching and accepting advice from Stratford Council it is with great sadness that I am cancelling the November Fair for 2020.

     

    #Cafdgg is all about the intimate and cherished visitor and exhibitor experience, the jolly and busy Private View and the building up of relationships between artists and visitors through discussion and shared interests which cannot be done with social distancing and the restrictions on visitor flow, health tracing and the intrinsic difficulties of holding the event in a listed building.

     

    All is not lost as I will however be putting on a Virtual #Cafdgg with help from our fabby artists…..

     

    My aim is for each of the artists to do a little video talking about and showing their new work, commissions, their current inspiration, maybe looking round their workshops and specialist tools, and of course their contact details and how people can buy from them.

     

    Throughout the weekend of #Cafdgg October 31st to 2nd November I will put them out on social media from 10am to 7pm – ten slots per day for Friday, Saturday and Sunday.

     

    I will definitely be curating #Cafdgg 2021 and have booked June 4th to 6th and November 5th to 7th 2021 in Stratford-upon-Avon Town Hall already as in my case a woman can only survive so long without the Golden Cup Cafe and her fill of fabby artwork by amazing artists…..

     

  38. A good photographic image offers the first impression of your art and your professionalism

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    A good photographic image offers the first impression of your art and your professionalism, a poor photo will endorse the preconception that your work is not professional and not worthy of being purchased – it is that important when you are selling on line and introducing your work.

    It can mean the difference between being accepted into #Cafdgg or other events, piquing the interest of an important client or gallery director.

    Photographing your work should become part of your work routine to build an inventory for galleries, sales and specialist collectors. It is so much easier when you have a portfolio to look through and to be able to pick out a selection rather than only having what you are working on at the moment.

    Take photos of your work in progress and a celebratory photo of the finished piece; take installation photos if your work is being hung at a gallery or in a clients house – with their permission – atmospheric photos of opening nights that offer a sense of scale and excitement and add multiple photos of a single work to capture it in its entirety with close ups to distance.

    It all adds to the breadth, feel and story of your work, ensuring a better viewing experience for collectors and increasing the likelihood that they will contact you or purchase a piece of work that they can envisage in their home or gallery.

  39. Still lockdown May

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    I am writing this blog mid May and we are still in lockdown with the corona virus, so what to do with your time?

  40. Lockdown April

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    What strange and uncharted times in which we live and die with the coronavirus pandemic stealthily reshaping the world around, how we will live our lives now and in the future.

    I am planning for November’s #Cafdgg after the June event was cancelled and I really don’t know if it will go ahead as I am waiting for the all clear from Stratford-upon-Avon Town Council who are running a three month cancellation procedure at the moment.

  41. Wooden joys

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    I love growing trees, I have tried so hard not to collect conkers, acorns, walnuts, apple pip’s to grow but I find them in my pockets and it always seems mean not to sow them, and if they grow into a whip they will be met with a whop of joy!

  42. A leap year and a leap into the unknown

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    No-one knows what is going to happen in their lives and when Alan’s health took a sudden and dramatic new direction I spent many a day wandering to and fro along the corridors of Walsgrave Hospital and I really appreciated the art exhibitions on each of the long well lit corridors.

    I found myself working out different routes using the stairs and corridors to get to Alan’s ward that enabled me to see every single piece of artwork on display.

    It made a huge difference to my day with the eclectic mix of styles, gave me something to look at and enjoy during a very difficult time for my family.

    The charity Healing Arts provide an ever changing Arts Trail, exhibiting work for sale by the local community, established artists,  new and emerging talent, schools, hospital staff and patients – all using art to support wellbeing and to inspire others.

    So well done to the Walsgrave and their Healing Arts!

    Get in touch with Healing Arts  www.uhcwcharity.org/art

    healingarts@uhwc.nhs.uk

  43. New Year, new biography

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    Why Write A Bio?

    An artist bio is often the first piece of information available to readers and collectors on the #Cafdgg website, and as such it offers you a chance to frame your practice and give collectors a reason to want to learn more.

    Bios also drive search engine optimization (SEO). When returning search results, Google and other search engines privilege written content that is “sticky” (i.e. readers spend time on the page and continue browsing), so providing an engaging, well-written bio is a great way to increase discoverability.

     

    These are the three cornerstones—tried, tested, and used today by the writers at Artsy website—of the perfect artist bio:

    • The bio should summarise the your practice—including medium(s), themes, techniques, and influences.
    • The bio should open with a first line that encapsulates, as far as possible, what is most significant about yourself and your work, rather than opening with biographical tidbits, such as where you went to school, grew up, etc. For example: John Chamberlain is best known for his twisting sculptures made from scrap metal and banged up, discarded automobile parts and other industrial detritus.
    • The profile should be between 80 and 140 words. The ideal bio is ~120 words, though a tightly written 80-word bio is preferable to a longer bio that includes repetition and filler sentences.

    Why 120 Words?

    Audience engagement researchers at museums have found that visitors lose interest in wall labels after 150 words. leave your reader wanting more by limiting your word count to ~120 words. At most, a reader should take away one or two key points.

    Questions to consider when writing about your practice

    Physical

    • What medium/media do you work in?
    • What is your style like?
    • What work or works can you talk about that will give a visual description of the above qualities?
    • Send me good quality photos of your work for your webpage gallery on #Cafdgg

    Subject matter

    • What are common or characteristic themes depicted in your work?
    • What subjects drive the works or provide underlying themes?

    Art-Historical

    • Why is your work important?
    • What impact have you made on history, or what precedent have you set in art-making?
    • What other artists have impacted on your practice?
    • How do you redefine a medium or media?
    • Who are your peers or teachers?

    Context

    • In what political or technological climate are you working in? I.e. what historical or political events might have influenced your work?

    Popular Culture

    • What areas of the arts or popular culture do you incorporate into your work?
    • What other areas of the arts or popular culture do you engage with? E.g. creating theatrical sets, costumes, music videos, etc.

    Quotes

    • Can any of the above questions be answered in a brief (1–2 sentences), engaging quotation from the artist?

    Most Common Mistakes in Artist Bios

    Hyperbolic praise

    Readers do not respond positively to unsubstantiated claims about an artist’s import (e.g. “Artist X is considered one of the most important artists of the post-war period,” or, “Artist Y is widely regarded for her beautiful work”). Most readers will see right through trumped-up language and, even worse, may become skeptical of the rest of your biography. The best way to maximise the power of a good bio is to try to educate, not “hard-sell,” your reader. Numerous studies have shown that the hard sell doesn’t work, especially for younger audiences (read: tech-savvy collectors), who respond most positively to simple and authentic messages.

    The “laundry list of accomplishments”

    Keep exhibition highlights and accolades to a minimum (readers who are interested can refer to the artist’s CV). Impressive as these may be, these laundry lists are tedious to read in prose format. They also take up precious space, which you could otherwise devote to a real discussion of your practice.
    There are certainly instances where it makes sense to include one particularly outstanding prize or exhibition, for example, an artist’s inclusion in the Venice Biennale. In this case, try to find a way to naturally include mention of the distinction in the normal flow of the text.

    Artspeak

    Misplaced academic jargon and pseudo-theoretical writing are almost universally despised. Instead of trying to impress other curators, visitors, academics, and galleries, focus on your audience of new collectors who may be completely unfamiliar with your work. Readers want to glean information from your writing, and the best way to do that is to use simple language. A good rule of thumb is to impart one idea per sentence.

    Spelling and Punctuation

    Nothing undermines the credibility of your content more quickly than spelling and grammar mistakes. When writing, some best practices are:

    Make sure you have the spell check function turned on, and that your language preferences are set to English

    Have at least one other person, if not two, read over your text

    Don’t forget to put exhibition titles in quotations (e.g. “Contemporary Arts Fair Discover:Gather:Give”), and artwork titles in italics (e.g. Sunrise, 2019)

    Letting bios get stale

    For artists with rapidly evolving careers, be sure to check back every year, or before new exhibitions, to re-assess what the most important aspects of your  practice are and edit your bio accordingly.

     

    With kind regards to Artsy for reproduction of their article

    https://partners.artsy.net/resource/what-we-learned-from-writing-artist-bios/

    Illustrations throughout by Tipperleyhill

    https://www.tipperleyhill.com

  44. #Cafdgg Guide Dog called Ariel

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    So excited to let you all know that our Guide Dog Puppy was born on November 24th 2019 and has been named Ariel.

    Ariel  is a black cross between a Labrador and Golden Retriever, his father is called Clover and his mother Velvet with siblings Smokey, Dixon, Felix, Mary, Molly and Lulu.

    #Cafdgg will get more news as he grows and at the moment he is with his Puppy Walker getting basic training.The volunteer Puppy Walker will look after Ariel from seven weeks to about  year, teaching him good social behaviour and familiarising him with the sights and sounds of everyday life at home, different forms of transport and excursions into town centres – and i hope Art Fairs!

    It is amazing to think that Ariel could be paired with someone in as little as eighteen months that will fundamentally change someones life for the better, and all thanks to you…..

    As information comes through I will keep you updated – whop whop!

     

  45. These life changing moments….

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    #Cafdgg is a family affair; it was conceived with my sister saying ‘just do it’, put into practice with my husband’s advice ‘have you thought of this?’, supported by my sons and daughters-in-law with ‘how can we help?’, extended family talking of the need for Shakespeare’s Puppies Appeal and glorious friends adding idea’s, hands on support and I do the front of house.

    Due to illness my husband will no longer be able to work with me – few can have forgotten his washing up skills – so I have made the decision to curate just the Winter #Cafdgg in 2020 that will be on over the weekend of Friday October 30th to Sunday November 1st and not the June #Cafdgg.

    Applications are open so email me judith@discovergathergive.co.uk and I will send you over the application form and Terms and Conditions. The closing date is Noon March 1st 2020.

    I look forward to hearing from you and seeing your new work in the New Year.

  46. After the Fair…

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    In the first few weeks after curating the glorious Contemporary Arts Fair Discover:Gather:Give I am slowly settling down and giving myself time to reflect on the event; to me one of the most important undertakings to achieve.

    I read with interest all the exhibitors reviews, remember the comments made by visitors as they arrived and left carrying bundles and bags of artwork, of the social media responses and suggestions from friends and family – every single one essential to enable me to develop #Cafdgg into a live and relevant event.

    I value and learn from each comment sometimes more from the brutal than the kind, as it takes an experienced exhibitor to compare #Cafdgg with numerous other events they have attended to widen my eyes and for that I am grateful. All  reviews are welcome as I can learn something from every one.

    For me the most effective way of learning from the reviews is to let them sink into my mind as I do other things – the moment before I fall asleep, whilst gardening, doing tai chi or walking up a mountain and inevitably a solution will float through and I can assess the validity of it before the process starts again.

    It is like making a piece of art; you know your starting place and yet how do know when your thought process is complete?

    Each time I curate an event it takes weeks of thinking, envisaging what it may look like on my virtual mental tour before I even start on the actual planing. The time between now and March is vital as for each event I plan the change in focus of it  – more jewellery and woodturning, different price points, less painting and illustration, introducing basketry, silversmithing or blacksmithing, or adding demonstrations and workshops – all ideas to be dashed or built upon.

    In  March 2020 exhibition spaces will be allocated to the artists who have applied to exhibit with us and it is the correlation between my plans and the artists skills that pulls together the setting up of a flowing, inspiring and enjoyable event for both the visitors and artists alike.

    At the moment I am open to all of the ideas as they float into my head as I, snooze, walk, dig and do the White Crane as I rest and recuperate.

     

     

  47. We are naming a puppy!

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    Stratford’s popular and free to enter Arts Fair Discover:Gather:Give returns to the historic Stratford-upon-Avon Town Hall over the weekend of  2ndto 3rd November.

     

    Alongside the 40 exceptional artists with an exciting and eclectic mix of paintings, illustrations, ceramics, jewellery, glasswork, decoupage, textiles, wood turning, digital art, sculpture, upcycling steampunk and book binding you will be able to vote to name a Shakespeare’s Puppy Guide Dog.

     

    The Arts Fair Discover:Gather:Give was set up in 2014 to raise monies for Shakespeare’s Puppies Appeal to sponsor a Guide dog and after raising £2,500.00 the puppy now needs a Shakespearian name – it is easy as ABC – join us over the weekend and vote for your favourite name by donating for Ariel, Briar or Curtis, the name with the most donations will be the name given to the puppy.

     

    As always the fabulous Golden Cup Cafesituated upstairs in the Ballroom will be shimmering with golden teapots and vintage golden tea sets on crisp white linen tablecloths with fresh flowers where you can enjoy an excellent cup of tea, a delicious coffee from Monsoon Estates, moreish cake or a snippet of biscuit.

     

    The Arts Fair is open to the public on 2nd November from 10.30am – 5pm and on 3rdNovember from 10.30am – 4pm.

  48. How to maximise your selling potential at #Cafdgg

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    I have been reading round reviews of Art events over the last few months and a two issues seem to be continually referred to; firstly that numbers visiting arts events are down from last year and secondly that when visitors attend they are less likely to spend money with the artists, so we need to work that little bit harder to give our visitors the best visual experience to encourage them to buy.

     

    In response I have pulled together some ideas, which I’m sure you know about so forgive me if it sounds like a well-worn record, but here goes….

    • The best form of selling is not to sell, but to talk round your work and find a connection with the visitor or their family

     

    • First impressions are vital so always stand up to greet visitors and invite them to handle your work and then leave them alone to look without interruption

     

    • It is important to watch their body language and judge whether additional help or information is required

     

    • Remember that you are in a context that is designed for art appreciation. It’s not like approaching a stranger on the street, our visitors are here because they want to see works of art, so don’t be shy about talking about your work

     

    • A good starter question is to ask them which piece caught their eye first? Is it for a gift and for whom? Will it be going in a specific room/space? Do they often buy artwork? Find out what kind of artwork they buy and when they are most often looking for new pieces if it is for them

     

    • Make them remember you, it does not need to be a hard sell; just a bit of chat about how they are, what brought them here, even the weather can all help get a conversation going and build a relationship

     

    • How did they hear about you and #Cafdgg? Your work has a story to tell about the similarities and differences in your how your work is made. Share with visitors why you created this collection you are exhibiting, the concept and ideas behind it

     

    • Are there anecdotes attached to some of the works that might be relevant? Stories about the place you created it, or where the idea initially came from, or what happened when you got half way through and realized you had run out of yellow ochre or 18ct solder? Sharing these stories and your enthusiasm with our visitors can help sell your work

     

    • By giving further information, and engaging in discussion about its creation and the elements that went into it, you are simply rounding out the picture, giving our visitors the chance to appreciate a greater level of depth. You can decide in advance, or even while creating a particular piece, which aspects relating to it you would be comfortable sharing, and which you would not, so that when inquiry comes, you are ready to respond in a way that will engage a potential buyer – and help them to increase the positive feelings they already have for your work

     

    • This isn’t just a buying-and-selling process. Visitors who buy your work are likely to do so because they have developed an emotional connection to it. You can sell your art work by discussing what they like about it, what it reminds them of.  Listen to their responses and encourage them to talk. Try to think of these discussions as something that can reveal aspects of your creations that were previously hidden, even to you

     

    • The more the visitors feel your art work relates closely to them, the more they are likely to respond and desire to continue that interaction – and purchase the piece for their home, office or business

     

    • Price everything clearly as some visitors can become nervous about asking a price as they fear they may not be able to afford it or feel you may do a ‘hard sell’ on them

     

    • At this time of year visitors are starting to look for presents for their friends and family and often for themselves so having a range of work at different price points is a good idea as smaller items priced as stocking-fillers may well attract interest and lead to sales of higher-priced items

     

    • Sell up items so when a visitor purchases a card today, offer to have it mounted or framed for them

     

    • Put your business card in with each purchase you make, a list of any workshops you are running and your next event, view #Cafdgg as a promotional springboard

     

    • Always have a pile of business cards on your exhibition stand for visitors to take easily, as they are a brilliant visual reminder of your work and encourage them to give you their email addresses too

     

    • Have a laptop to hand with your website sign up form and follow up any leads in the week following the Fair as they may want to see you at your next event to buy follow-up purchases from you

     

    • Make sure you have different methods of payment besides cash. Can you accept a swiped sale on your card terminal? The nearest Bank is opposite the Town Hall, with terminals outside for a cash withdrawal on Sunday

     

    • Are you able to lend a piece of work for a set time frame before the visitor buys it?  Find out if they are looking for a piece of art work to go in a particular place and try to work with the visitor to find out what sort of space they are envisaging, and what would work in it. Show other pieces from your portfolio or website that might be better alternatives, or offer to work on a commission basis

     

    • Can you add value in delivering your work and helping hang it as part of your service

     

    • Most importantly of all, YOU are your work, people buy from people; stand up, SMILE and engage people in conversation about your fabby work!

     

    I hope this gives you a few ideas and all the best over the weekend.

    Judith

    With thanks to Patricia van den Akker, Director of the Design Trust https://www.thedesigntrust.co.uk and https://www.agora-gallery.com for inspiration on this blog

  49. Where has August gone?

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    I am having difficulties in believing that it is September already, really what happened to August?

    I visited Ardnamurchan, sojourned on the Isle of Harris, drank magnificent coffee at the Temple Cafe and became a Grandmother to the most beautiful babe called Ruairidh and time both flew by and stood still waiting for his birth.

    It put me in mind of how fragile life as we know it can be, its ever-changing nature and trust we have in people who are close to us.

    I question the society, Brexit and the very nature of our planet and reflect on how #Cafdgg can in its own small way make a difference by promoting artists who reuse, up-cycle and follow the creed of make do and mend; of Heritage Crafts such as knitting and bookbinding; the turning of woods to make writing instruments; collecting broken watches to make sculptures – these are skills to inspire the next generation and leave a better place for young Ruairidh……

     

  50. Summer holiday inspiration

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    I have never been to the Isle of Harris before and was blown away with the weather and my welcome!

     

    I am used to the wild beauty, quiet mountains and contrasts of Ardnamurchan, but nothing prepared me for the landscape of Harris – the extremes of barren rock, rolling hills, lochens and the golden beaches that go on for miles – or at least around the corner in the case of Luskentyre.

    Harris is the home of hand-loomed tweed with designers queuing up to indulge their passion for colour, texture and working with these highly experienced weavers. One such weaver is Donald John who makes the tweed for Nike trainers, who is as charming as he is talented. When you get to Harris go and find him at 6, Luskentyre HS33HL.

     

    The Isle of Harris Distillery is a social business at its best employing over thirty five locals and has the best seafood sharing platters in their café. They run really fascinating tours of the distillery and their shop has a soap and skincare range commissioned from A.S. Apothecary. https://www.harrisdistillery.com/social-distillery

    The Isle of Harris Gin is world renown and I found it tasted divine with the WildEve herbal infusion that we serve at #Cafdgg Private View https://www.wild-eve.com

     

    Opposite are the Harris Tweed shops that you must not miss, one selling rolls of cloth, the other selling tailored outfits fit for any catwalk.

     

    My main discovery was the Temple café in Northton, glorious cakes made every day in the café, brownies to stick to your teeth and gluten free cakes that really did taste like cake, delicious coffee made by a trained barista and soups with freshly made bread.https://www.facebook.com/TheTempleCafe/?ref=br_rs

    My favorite part of the day was eating freshly made scones with lashing of cream and jam, coffee in hand watching the birds in the lagoon opposite as they circled above my head before landing elegantly with a swish and a sigh…

    In the evening we sat outside and watched the sunset, chatting with new found friends, sharing ideas about #Cafdgg and realising that it is the people who had made us welcome, who stopped and chatted on the single track roads and welcomed us into their homes – thank you!

     

  51. Can one have too much bling at an Arts Fair?

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    In my research at Art Fairs, Festival, Craft events and Markets I am always looking to learn how they do things. I chat with as many artists as possible, organisers and volunteers and from each event I visit there is always something that sparks an idea that can inform how I curate Discover:Gather:Give, and this year it has been about branding and bling.

    Thanks to Dave Pearson https://creativepearson.com I feel #Cafdgg has a strong, clean, recognisable and easily identifiable brand. Our branding offers security, shares the personality of our business and its credibility. Emotionally we connect and share values with our visitors who in turn offer loyalty by returning to visit on a regular basis.

    The more I talk to organisers in this time of unknown and political unease the more I realise the importance of a trusted brand and for visitors to anticipate the standard of art works they are coming to see, the experience of the event plus their continual support of artists by buying the work on display, commissioning a piece after the event or attending a lecture or workshop –  it is that level of engagement and on-going patronage that #Cafdgg inspires .

    I believe that we can no longer just expect visitors to turn up at the Town Hall door, we need to bring them in to enjoy the experience, to be encouraged to engage with artists and to feel the excitement in discovering new and challenging art work. Nothing makes me happier as I walk the event to hear an artist sharing their creative process with a visitor, and later seeing a wrapped parcel leaving the artists exhibition space under the arm of a contented patron.

    All too often the events I visited relied on past successes with the same or similar art work; getting that balance between the new and established artists is such a difficult note to get right where both the artists and the visitors feel the event has been a success and further to quantify that success in real terms such as sales on the day and follow up sales. With a strong brand I believe one can introduce new artists whilst keeping the standard of art work at an exceptional level.

    #Cafdgg is not a super trendy, white cubicled event full of highly priced statement pieces on plinths; it has a curated balance with both traditional art and pieces to make you think, feel and cannot ignore. Our brand stands for art for all, of passion and the joy in the making, sharing, creating and collection of art. It is unique in the region for being a free entry event with such an array of art open for you.

    I started by asking can one have too much bling and no other event has anything like the Golden Cup Cafe, for me it has just the right amount of bling to keep it the positive side of tasteful kitsch; although it is becoming a close call with my golden serving platters for our Private View…

     

  52. Oversley Flowers

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    I am so pleased to tell you about Oversley Flowers, who will be doing floral decorations around the Town Hall.

    They grow seasonal scented fresh flowers lovingly grown in Oversley Green, sold and enjoyed locally – Alcester, Stratford upon Avon, and surrounding villages. Bespoke local fresh flowers – grown not flown.

    A wide variety of summer flowers are for sale to include a range of colours, textures and foliage. Flowers will be available from end June through to the frosts in October.

    Ruth Woollcott the gardener is passionate about the environment, and believes strongly in sustainability, biodiversity and low carbon travel mileage. Growing and selling fresh flowers for local people – without chemicals (no herbicides, fungicides or insecticides) is her pleasure and I hope yours too!

    Flowers will have no airmiles and in most cases will be delivered by electric vehicle, so no pollution either. Ruth aims to have the minimum of packaging, minimise waste and use recycled items where possible.

    All the leaves and waste green material will be composted on site and put back onto the beds the following year.

    Ruth’s two bee hives share the flower plot and they too will enjoy the variety of flowers and will benefit from no chemicals – and on good years she will be able to share the honey too!

    Ruth enjoys growing flowers for you – flowers to make you smile.

    Ruth Woollacott
    ruth@oversleyflowers.co.uk

  53. Press release May 2019

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    The popular and free to enter family friendly Arts Festival continues to go from strength to strength when it takes place from 1 – 2 June at the historic Stratford Town Hall. This year the Festival has attracted 40 award winning artists and craftspeople who will be showcasing a selection of high-quality paintings, prints, jewellery, textiles, photography, sculpture, ceramics and designer furniture. Now in its 6thyear, the Festival is an unmissable fixture in the craft, art and design calendar and cultivates eclecticism and authenticity with an unparalleled passion and flair within the region’s artistic community.

     

    Escape Arts will be hosting workshops for both children and adults over the weekend at the Old Slaughter House in Stratford-upon-Avon. Visitors can recreate their pet in the style of Lichtenstein or Warhol on the Saturday and on Sunday ceramic artist Ros Ingram will teach visitors how to create terracotta garden hens.

     

    Curator, Judith Layhe-Cook said “Each year I discover some fantasticinnovative emerging artistic talent and this year is no exception! I want our Arts Festival to be open to all, for our visitors to have engaged with the artists and their work, to have bought something that makes their heart sing, to share a coffee and cake with friends, to relax into the supportive atmosphere and for each and every visitor to go home a little happier and inspired”.

     

    The Golden Cup Café is open throughout the weekend selling tea, coffee and homemade cakes served on a collection of golden vintage china. Once again, the Arts Festival is supporting ‘Shakespeare’s Puppies Appeal Guide Dogs for the Blind’. Any donations would be gratefully received.

     

    The private viewing is held on 31 May between 6pm & 8.30pm. The Festival is open to the public on Saturday 1 June from 10.30am – 5pm and Sunday 2 June from 10.30am – 4pm. There is no cost for the Saturday workshop although donations are appreciated.The Ceramic Day Workshop costs £65 per person.To book please visit www.eventbrite.co.uk.

  54. Past exhibitors at #Cafdgg 2018

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    I am often asked who exhibited at #Cafdgg as we change the composition of the event every time we open our doors, so here is the list of our past exhibitors for 2018.

    June and November #Cafdgg 2018 Contemporary Arts Festival Discover:Gather:Give

    Ann Donnelly – Glass

    Abi and Roz Tipperlyhill – Illustration

    Ali Perry – Glass lamp work silver jewellery

    Alix Almond – Lino prints

    Andy Walker – Digital photography and painting

    Anya Simmons – Painting

    Armando Magninio & Mel Price – Fine Furniture and stained glass

    Ben Cowan – Up cycling and painting

    Chloe Breen – Repeat pattern painting

    Claire Brierley – Whimsical sculpture and painting

    Claire Henley – Painting

    Claire Pentlow – Papercutter extraordinaire

    Charlotte Wilkinson – Handblown Glass

    Christine Hodges – Painting

    Dawn Harris- Painting

    David Shepherdson – Writing instruments

    Don Mason – Landscapes

    Grace Numan – Mixed media

    Frances Daunt- Animal feltwork

    Fiona Kingdon – Fret worker in wood

    Francesca Kay – Printed word and poetry

    Heather Bailey – Painting

    Jane Moore – Jewellery

    James Fotheringham – Landscapes

    Joanne Verity – Decoupage

    Jill Pargeter – Printed fabric

    Judith Yates – Seascapes

    Judy Methuen and Amanda Brown – Sculpture and leather bags

    Kate Wrigglesworth – Painting

    Kat Christou – Handblown glass

    Karen Wyeth – Felt work

    Kathryn Webley – Glass

    Karl Hamilton-Cox – Painting on leather

    Ken Hurd – Painting and illustration of Wales

    Louise Goves – Coffee painting

    Louise Walker – Painting and illustration

    Lizzie Bentley – Painting

    Martin Sanders – Turned wood

    Mari Beardehaw – Silver boxes

    Mizuki Takahashi – Silver and enamel jewellery

    Milagros Kuga – Milik Milik – handmade 3D jewellery

    Nadege Honey – Polymerclay jewellery

    Nadja Ryzhakova -Painting

    Niki Crew – Glass fish

    Patsi Wheatley-hubbard -Painting

    Paul Joyner – Wire sculpture

    Penny Gildea – Enameler

    Rachel Higgins  – Sculpture

    Rosie Colvin – Jeweller

    Robin Mason -Painting

    Robin Wade – Ceramics

    Russel Gain -Abstract art painting

    Sarah Leigh – Felted lampshades

    Sharon Highway – Hand made journals

    Stephanie Giles  – Pearl and bead stringer

    Wendy Freestone -Sculpture

  55. The Golden Cup Cafe

    Leave a Comment The CONTEMPORARY ARTS FESTIVAL DISCOVER: GATHER: GIVE is an exciting, lively and eclectic gem of an arts festival and we have the best pop up cafe in town, honestly we really do! I thought about how to make #Cafdgg really special for our visitors and realised very quickly that many people spend a long time going round the exhibition and to have a coffee and cake to restore their artistic passion before looking round again was very important part of the experience. As a trained jeweller I have a love of gold and I adore cakes so I combined the two and created the Golden Cup Cafe, all shimmer, sparkle and great taste. We only use the best coffee roasted by Anne and Chris from Monsoon Estates https://www.monsoonestatescoffee.co.uk who are based in Ascot Estate just outside of Stratford. The cakes are made by Jane and Craig from Knead It! bakery in Tiddington https://kneadit.co.uk and they have shared the ingredients so you do not have to worry about allergies. Cakes Chocolate Bundt Cake Plain flour, baking powder, cocoa, butter, sugar, vanilla extract, eggs, milk Spiced Orange Bundt Cake Butter, sugar, eggs, flour, bicarb of soda, yogurt, orange zest & juice, icing sugar Lemon Drizzle Bundt Cake Butter, sugar, eggs, flour, bicarb of soda, yogurt, lemon zest & juice Lime & Coconut Cake Butter, sugar, eggs, flour, desiccated coconut, bicarb of soda, yogurt, lime zest & juice, icing sugar

    Orange Polenta Cake

    Butter, sugar, flour, polenta, orange juice and rind, baking powder, eggs

    Coffee & Walnut Cake Butter, sugar, eggs, SR Flour, baking powder, espresso coffee, walnuts, icing sugar Nutty Flapjack Oats, salted peanuts, pumpkin seeds, sultanas, butter, golden syrup, sugar Gingery Ginger Butter, golden syrup, black treacle, sugar, stem ginger, ground ginger, flour, eggs, milk Blackcurrant Bakewell Sponge Butter, sugar, SR flour, baking powder, eggs, almond extract, natural yogurt, blackcurrant jam, flaked almonds Glutenfree Brownies Butter, 70% dark chocolate, eggs, sugar, gluten free flour, icing sugar The brownies are made with gluten-free flour but have been baked in a kitchen using normal flour also I cannot guarantee the Town Hall environment as it is a short term rent.
  56. Would you like to apply to exhibit at #Cafdgg 2019?

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    #Cafdgg is a wonderful event that is curated twice a year, in the first weekend in June and November at Stratford-upon-Avon’s historic Town Hall.

    Applications are now open for both events and will close at the end of February. All artists will be notified by mid-March of the Panel’s decision.

    It is important that the standard of the art work exhibited is kept inspiringly high, so artists exhibiting know there work will shine within our curation and visitors can trust that they are going to be part of something very special where they can buy or commission work directly from the artists.

    If you want an application form or just to enquire, please email me on judith@discovergathergive.co.uk

    I look forward to hearing from you…..

  57. When is a card not just a card?

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    I was asked why I encourage artists to have cards made of their work, when surely an artist would prefer to sell an original painting or illustration?

    Artists who exhibit at #Cafdgg Contemporary Arts Fair Discover:Gather:Give bring cards of their work as they are readily affordable often between £1.50 to £8.00 and always sell well.

    I would suggest one should never under estimate the power of a card; a simple card can be the beginning of a relationship with an artist that can last a lifetime. In many ways it is better than a business card as not only does it have all the relevant contact information printed on it, the card can show more clearly a sample of the artists work.

    With a card you share your view of the recipient with them, it can be as with Ken Hurd’s work, a scene from a place you love in Wales, or Claire Henley shared passion for Cornwall, it can be a whimsical memory from Kate Wrigglesworth and Anya Simmons, or the touch of wild seascape by Judith Yates, maybe Chloe Breen’s food inspired repeat patterned circles or Ben Cowan’s political satire; each artists shares their work at a price where one can gather a handful of cards and once framed they become your collection.

    A card can be shared, given at special and meaningful moments, to send love, friendship or ask forgiveness, to make someone’s day by saying you were thinking of them, to celebrate a new beginning of life or share a cherished memory of a life lived – a card gives so much more than you may first think, it is a human lifeline and the ultimate gift.

  58. Tourism in Stratford

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    Sometimes I need to think about the wider picture with #Cafdgg, I get so wrapped up with excitement of being able to exhibit the work of such a diverse and inspirational group of artists that I loose sight of what I am doing for my home town. I adore living in Stratford-upon-Avon and moved here to bring up my children and settle into the town.

    To support #Cafdgg and get the word out there I am a member of Shakespeare’s England https://shakespeares-england.co.uk a forward thinking group who through their work bring a variety of tourists into the region to enjoy what our beautiful area has to offer, including #Cafdgg.

     

    Did you know that for every £1 that is invested in Tourism our visitors spend £25, that tourism is the third largest export service nationally? Visit England anticipates hitting the 2020 40m visitor target in 2018 and locally it raises £314.2M, 7,300 jobs, 515,000 staying trips and 5,421,000 day trips; that in Stratford-upon-Avon since 2017 there has been a growth of + 82% and a mind blowing growth since 2010 + 169%?

     

    As a Tourist Destination our visitors are staying longer, spending more and travel from London to visit the area following the ‘String of Pearls’ route from London, Reading with its link to Gatwick Airport, Slough for Windsor Castle, Oxford as a University City, Warwick for its incredible Warwick Castle and Stratford upon Avon for the internally renown Shakespeare’s Birthplace, Royal Shakespeare Theatre and of course #Cafdgg!

     

    To keep the visitors coming to Stratford we need a range of visitor attractions and this is where #Cafdgg fits into the detail; we are a gem of an Arts Fair, vibrant, interesting, joyful, challenging whilst promoting the very best local and regional artists.

     

    Stratford and the local area is more than Shakespeare, it is a vibrant hub of creativity and the more we can call it out the better it will be. So please talk to your friends, tell them about #Cafdgg, invite them to meet you in the Golden Cup Café and make Stratford the place to come to buy the art that you love.

  59. Why choose #Cafdgg?

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    I have been researching other Art Fairs, Shows and nearly every event that I have seen on Facebook and Instagram – it was a long job but worth it as it made me realise that #Cafdgg is rather special.

     

    I came to three observations:-

     

    • Very few events offer social media support for their artists once the event has finished

     

    • Applying to an event is often fee driven and a tedious drawn out form filling process

     

    • There are a minuscule number of events that offer high quality artwork that are free to all visitors to attend, charging between £7.00 to £25.00

     

    What I concluded is that #Cafdgg offers extraordinarily good value for money for both the artists and visitors and I should celebrate it!

     

    There is no charge for applications or for visitors to gain entry to the Fair however many times they visit during the weekend. I would like to raise Stratford-upon-Avon as an artistic hub in the region, and open access to good art is a firm starting point.

     

    I feel that if an artist has gone through the Panel’s application process into #Cafdgg and exhibited with us, then their work is worthy of longer support than just the lead up to the Fair.

     

    I actively support artists who have exhibited with us as I realise that an artist doesn’t stop working after exhibiting. I love being able to share their work and support on social media at least until the next #Cafdgg in June or November, and often carrying on way past the next Fair.

     

    #Cafdgg is coming up to its sixth fair, so I have a goodly number of artists whom I have had the joy in supporting over the years and will continue to do so.

     

    Year on year I get more applications to #Cafdgg from regional and national artists and my waiting lists swell with hopeful artists and as there is always the movement in artists pulling out as they deal with real life issues, so when I offer a place on the waiting list it is not a closing of the application process.

     

    I realised that being able to offer 35-40 places for artists to exhibit means that I have to employ a rolling list of artists to bring on new artists and allow other artists to develop their work for the next #Cafdgg.

     

    I view the artists who exhibit with #Cafdgg as partners, and we work together to make #Cafdgg the best it can be; we then review the process and I take whatever is said as a gift and it is so often the blindingly obvious things that are missing, so this year everyone will have a nameplate on their stand to say who they are and what they do – see what I mean? So obvious!

     

    If you can think of any way to make #Cafdgg better, please let me know on judith@discovergathergive.co.uk

  60. The secret of service

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    I went to a Michelin Starred restaurant last weekend and the whole experience was extraordinarily enjoyable. The food tasted incredible, by turns playful, exotic, rich, new to me taste pairings, tantalising and downright delicious – I just loved it!

    On reflection what took it to the next level of enjoyment was the seamless nature of the experience; it was because of the staff that served us. I don’t mean a slick taking away of the plates, refolding my napkin when I left the table or continually refilling our glasses – the staff knew the menu and how the food was made, they were pleased to be asked about it and took pride in serving us, and enthused as we discussed each course with them. It was the care and time they spent with us, it felt as though we were joining them as oppose to being punters to be fleeced at every opportunity.

    When I brought it back to how #Cafdgg is managed, I reflected that many people can run successful restaurants and Art Fairs and make money, although few have the same passion for what they do as I experienced in the restaurant I visited.

    I recognise that the people – friends and family – who help me run #Cafdgg do so because they believe in what I would wish to achieve; to see the best affordable art come to Stratford, to bring new visitors to the area, to offer the event free to all and to give back by donating monies to Shakespeare’s Puppies Appeal (Guide Dogs for the Blind).

    Each of the helpers in the cafe, setting up and breaking down the fair brings joy, knowledge and a willingness that is priceless and for that alone I thank every one of you and look forward to seeing you back in November for our Winter Fair!

     

  61. Review of our first June exhibition 2018

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    The Contemporary Arts Fair Discover:Gather:Give had another cracking event with hundreds of visitors over the weekend to see the eclectic mix of regional and local artists, enthralling both visitors and locals in the historic Town Hall, enjoying cakes by Knead It! Bakery, tea and Monsoon Estates coffee in the Golden Cup Café all served on vintage golden china and tables decked with linen and bud vases of fresh scented roses and lavender; a joy for all the senses!

     

    The artwork was by turns challenging with politically inspired art by Ben Cowan, charmingly whimsical illustrations of dressed animals by Tipperleyhill, paired down designed Japanese inspired jewellery by international renown jeweller Jane Moore, striking decoupage skulls by Jo Verity and such incredibly delicate papercut work by Clare Pentlow where you really had to question technically how she made them, alongside many other artists whose work was a pleasure to see and meet the artists.

     

    An important aspect of #Cafdgg is for the visitors to meet and commission work from the artists and hopefully develop artistic relationships over time as many of the artists also run workshops, one to one sessions and painting holidays as well as exhibiting their work. Do go to www.discovergathergive.co.uk to find details of the artists exhibited at the weekend.

     

    #Cafdgg is developing with each event into an arts fair where both visitors and exhibitors can rely on being offered excellent quality art and made welcome. The next fair will be the first weekend in November with the Private View on Friday November 2nd, Saturday and Sunday November 3rd-4thOpen to the Public from 10.30am.

     

    It is a free event and donations are made to Shakespeare’s Puppies Appeal and with the support of visitors they raised £400.00 for the local charity, culminating in a total of £2,000.00 since #Cafdgg first opened its artistic doors in 2014.

     

    Curator Judith Layhe-Cook commented “It is the wonderful artists who make #Cafdgg so good, without them I would just have a beautiful Ballroom, so all thanks to them and their continued support in making Stratford-upon-Avon an Arts Hub for the region that is just getting better known in the Arts scene each event I am able to curate and share.”

  62. What artists say about #Cafdgg

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    I curate Contemporary Arts Fair Discover:Gather:Give and I will admit to being biased – I am passionate about the Fair and think it is a fabulous event, with a seriously good selection of local, regional and national artists.

    The Golden Cup Café is brimming over with stylish bling, the vintage gold lustre crockery shimmered in the sunshine, with cakes by independent Knead It! Bakery and coffee by Monsoon Estates Rostery – just the right combination of sustenance to help you mull over your purchases or chat with artists about commissioning a piece of work.

    #Cafdgg is becoming part of the Art Annual Events to enjoy and I am so pleased to say that the visitor numbers are growing, with steady sales over the weekend, although with the occasional delightful peak.

     

    But enough of me trumpeting #Cafdgg, this is what a selection of artists have said about #cafdgg:-

    A wonderful event, with high quality exhibits in a beautiful setting in the centre of Stratford on Avon.

    Wonderful, first-class event with great atmosphere. As an artist it was great to meet other like-minded individuals and a perfect opportunity to establish relationships with potential clients

    This is an arts fair growing in stature every year.  More and more visitors and some exceptional exhibits.  It definitely and arts fair not to be missed.  Put it in your diary now!

    #Cafdgg is an excellently organised event, with year round exposure via the website and social media. The event itself is a pleasure to exhibit at, and Judith thinks of everything to make things run smoothly. From the cheery helpers on arrival to the free ‘snack zone’ for all exhibitors, not to mention a buzzing private view, it all adds up to one of the highlights of the Warwickshire art scene year

    Great atmosphere, lovely people + exhibitors, great Gin!

    Another terrific event and I am in awe of the hard work you have put in to making the event such a success.  Congratulations.  Already looking forward to next year …… but not wishing my life away

    The Contemporary Arts Fair is sparkling jewel of a fair. Fine displays of work by some the best art and craftspeople in the West Midlands are set within the beautiful location of Stratford upon Avon’s historic 18th century Town Hall

    Put me down for next year!

    This is a busy, vibrant and well-organised fair. Recommended!

    It was a very professionally organised event, with great footfall and customers, genuinely interested in buying art. It was my first time attending and I felt the whole experience was positive

    A stylish, well run and thoroughly enjoyable exhibition to attend

  63. Things are hotting up here in #Cafdgg HQ

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    The closing date for applications for #Cafdgg June 2018 is coming up fast on April 2nd and I have been blown away by the quality, range and variety of craftspeople applying and further the number of applicants so far for the limited number of exhibition spaces.

     

    I am aware that more people are choosing a life as an artist. On some application forms when asked for a brief description of their artwork it feels like a bubbling passion that cannot be thwarted has been unleashed onto the form.

     

    I realised that if you have this passion for creating it will come out in some way; whether through formal taught design or experimental experiential work you will discover your artistic voice. It is always developing and becoming more recognisably individual.

     

    I want to celebrate that passion in #Cafdgg, to share that feeling of discovery and curate a Fair where visitors stand, stare, absorb and share with the artist.

     

    Art is communication and our interpretation of each piece we see gives us a richer existence – we can be challenge, be outraged, quiver with desire to wear, see it in our home or start a lifelong collection – art gives every one of us something, whether we choose to recognise and accept it or not.

     

    The first step is to see stimulating art, so visit #Cafdgg June 1st Private View and 2nd to 3rd Open to the Public.

  64. How do you show your love?

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    I am a mother of two sons, and like many mothers kept all of their early paintings, drawings, hand drawn family birthday cards and notes.

     

    For me they are priceless and in moments of reflection I take out their portfolio, unfurl the papers and smile. I can trace their development as artists and their ever-changing view of the world and their interaction within it through their artwork.

     

    A hand drawn celebratory card touches my heart, as I know that they sat down, their thoughts were solely of me when making their gift. I was the most important person to them at that special moment.

     

    Their cards were for me and me alone; never to be repeated, a paper declaration of how I was held in their imagination, of love made tangible.

     

    When you commission a piece of work from an artist it may not have the same passion in the production, however it will for the person commissioning it and the joy of giving the perfect present is so rewarding.

     

    How you say you love someone can be a magnificent commissioned piece such as a Faberge Egg, the wrapper from a Quality Street made into a heart to decorate a card or designing a bracelet to be made by one of the artists at #Cafdgg.

     

    There is no price for love, it is a gift.

  65. Reflections on past, present and the future of #Cafdgg

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    It is the time of year for reflection, contemplation and acknowledgement of where I am now with #Cafdgg and from where I started.

     

    The Contemporary Arts Fair Discover:Gather:Give (#Cafdgg) is now firmly established in the Arts Calendar after four years as a Fair to visit and enjoy the high quality art work exhibited at Stratford-upon-Avon Town Hall.

     

    I am hugely indebted to my mentors who started me on this fabulous road of artistic discovery; Ann Donnelly for sharing her huge knowledge on setting up and running successful exhibitions, Jane Moore for giving me the exhibitors view of how an Arts Fair should be run after many moons on top of her game as an Internationally renown jeweller; Nancy Singleton from Stratford Business Enterprise and Tourism SDC and her Team for raising the red tape solutions, the entire team at Shakespeare’s England for teaching me how to do a press release and finally Sharon Walpole for her overview of the whole enterprise, of giving my ideas substance, talking me through the whole gritty process and never stinting in her belief that I can set up this Fair and do it with style, flair and a huge amount of joy.

     

    The joy comes from giving Artists a platform in which to shine, of seeing their new work and progression, in talking to like-minded people and learning from those with different views, in watching peoples faces as they fall in love with a piece of art, the sharing of ideas between artists and visitors, and mostly from a job well done in opening people’s mind to the need of good design, whatever form it takes.

     

    Here’s wishing you all the best Christmas and Hogmanay yet, as in 2018 I will be putting on a Summer Fair in June and a Winter Fair in November….

  66. Thank you, Thank you, Thank you!

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    So where do I start with my thanks?

     

    I want to say thank you to everyone one of our exhibitors, visitors, helpers, supporters, cake makers, gin distillers, coffee roasters, newspaper journalists and Stratford-upon-Avon Town Hall for making Contemporary Arts Fair Discover:Gather:Give November 2017 such a brilliant success!

     

    The reviews from the exhibitors confirmed what I felt, that between us we have got the precise platform to really showcase some of the best talent in the Region, and it is becoming a destination in its own right by tourists and locals alike.

     

    Thirty-four individual artists plus fourteen artists from the Visual Arts Group made up the total number of exhibitors and it felt a good number showcasing a variety of work and styles.

     

    For me it is a culmination of a year’s work, supporting, planning, talking, giggling and enthusing. I am passionate about every part the process from conception, delivery to review.

     

    Nothing is done in isolation and when everything comes together and I watch the artists wrap purchased work, answering questions about a commission in the Golden Cup Café, visitors taking photos of the vintage golden crockery or exhibitors networking with visiting artists, I give a happy sigh and mentally start planning for June 2018…..

     

    If you would like to join us in 2018 for the new June or November Fair, please email me on Judith@discovergathergive.co.uk

     

     

  67. Changes

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    I went to a forty year reunion of my jewellery colleagues last weekend and it brought into sharp focus how our lives had diverged from the path we expected to take as fearless frothy youngsters.

     

    We had plans to disrupt the jewellery business; we were going to merge the traditional into the modern, to celebrate the best design and manufacture of both worlds and to pass down our hallowed skills to eager bright eyed apprentices through Goldsmiths Hall.

     

    Out of our year of twelve, four have stayed directly in jewellery design and manufacture, one in silversmithing and I carried on to study gemmology specialising in Diamonds and Pearls; many went into teaching and all with fascinating lives.

     

    Reflecting on the process of change I realise that three things are fundamental in my life choices – family, friendship and design.

     

    I have communicated through design with the people I love; giving a present, a card or the gift of an experience – all are based in sharing and fostering artistic and open minds.

     

    It is with that passion to share that I started #Cafdgg and want to continue developing, disrupting the accepted way an arts fair is run and promoted.

     

    I adore seeing the exhibitors arrive at the Town Hall all bags and fluster filled with gleeful anticipation of the weekend ahead, the slow process of settling and setting up their displays to their satisfaction. After the Private View on the Friday night I take a quietly reflective moment to enjoy the incredible work on show.

     

    I am so proud of what the artists have achieved and realise that if my colleagues visited they too would appreciate the joy of good design.

  68. The commissioned Wedding Hat

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    Well it has happened, my son and daughter-in-law’s Wedding took place this month and it was fabulous!

     

    The weather was kind to us with only a sprinkle of rain as we ate our Wedding Breakfast and the rest of the day the sun shone as we explored the lavender partier and lushly planted gardens surrounded by the rolling hills of the Deer Park.

     

    The Bride shimmered gloriously in her white silk satin and lace backless dress, and her Pearl back-to-front necklace by Emily Fermor looked beautiful as it enhanced her luminous and youthfully smooth skin.

     

    For me the successes of the day were multilayered; the venue, the weather, our new family and old friends blended together, the speeches, the Wedding cake and my embarrassing late night dancing.

     

    Most of all was the goodwill and love for the happy couple – it was palpable and went to straight to my heart. The tender innocence, simple beauty and searing emotions of a life transition remain with me, and still gladden my very being. I cried and laughed, hugged and kissed, giggled and needed a moment’s peace as the day turned to evening, echoing the emotional flow of the newly wedded pair.

     

    I wore my hat throughout the day until the Wedding Party finished and I didn’t know I had it on. Created by Barry Flanagan from Alciston Model Millenary it was designed and made just for me and I couldn’t have been happier with the finished hat – I felt as comfortable as Mrs Tigge-winkle and as stylish as Frida Kohl.

     

    Barry had captured the very essence of me with a rim of hand dyed and created purple Sweetpeas, each one slightly different with blushes of deep magenta, reflecting light from a polished finish, growing from a magenta crown constructed from original 1940’s green, then overlaid with cerise netting covered with hundreds of knots and bands culminating in a seductive side swirl to finish the floral band with a flourish.

     

    I adored it the moment Barry showed me the hat displayed on a long necked black velvet display head, in front of a large antique gilded mirror so I could see the entire hat at one look.

     

    We talked how to wear the hat on my head, what to do with my long hair, the art of backcombing day old hair, what jewellery I would wear, my make-up and nails; Barry took everything into consideration to make the overall look harmonious as he had already seen the rich fabric of two tone crinkled silk of my dress.

     

    When I opened the black and white striped octagonal hatbox, folded back the crisp white tissue paper and saw my hat on the Wedding day I was so relaxed as I knew it would fit, be comfortable and I would look like me – a priceless gift from a true millenary artist. I thank you, salute your talent and look forward to the next Wedding….

     

    Barry Flanagan’s website     https://alcistonmillinerydotcom.wordpress.com

  69. Nothing beats the human touch

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    I need your help please.

    I have read umpteen articles on Eventbrite, Facebook, Twitter, LinkedIn and Google on getting more likes for the Webpage for Contemporary Arts Fair Discover:Gather:Give leaving me with a spinning head full of what feels like conflicting advice.

    I have been inundated with cold calls to help boost my SEOs and buy like clicks from companies based in India to America and my mailbox is full of unsolicited emails claiming to put me on top of search engine results for a fee.

    I finally realised that I all I need are more people to talk about the Fair to their friends, to share on social media and most importantly to visit in November 3rd for the Private View and Open to the Public on 4th to the 5th.

    So please can you help spread the word to your friends, family, makers, aspiring artists, art collectors and gallery owners to make this Fair the best it can be?

    You will be made welcome as you look around both floors of the historic Town Hall, plus in the Ballroom we are hosting the best pop up cafe in Stratford called the Golden Cup Cafe, where the shimmering vintage china nearly eclipses the glorious cakes, tea and coffee by Monsoon Estates.

    We have really amazing artists displaying inspiring and beautiful work, and honestly you and your family will love it…..

     

     

  70. Son + Wedding = Hat

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    There is an equation many women know, it is the Son+Wedding=Hat.

    One of my son’s is getting married in August and I realised that I needed a hat that fitted so well I wouldn’t know I’m wearing it, that would compliment my outfit but more importantly matched my personality – I am not a polite pillbox and veil type of woman, I want a hat that I can kiss and cry in, to make me smile with the design and feel magical in; I needed to commission a hat from a real milliner not just buy one off the shelf.

    The only choice for me was a creation by Barry Flanagan from Alciston Model Millenary. His atelier is proud to produce bespoke, hand crafted millinery for every occasion. Traditional wooden and Espartre blocks and a collection of vintage straws, felts, fabrics and ribbons are used to create beautiful, desirable and individual pieces under the watchful eye of classically trained milliner Mr Barry Flanagan. I adore his whimsical and charming hats.

    To commission a hat is similar to commissioning anything from an artist; you need to know what you want, what it is for, when you need it, very roughly how much you can spend and most importantly who you want to make it for you.

    Commissioning anything, no matter how large or small is all about the relationship with the artist. Sometimes it is asking them to modify a piece of work you have already seen, or designing something new, just for you.

    Talk to each other, listen to what is said, make notes, draw sketches, enjoy the creative process and if you are unsure, check again with the artist.

    It is a often a slow process; the commission, discussions, verbal agreements, written confirmation maybe with drawings, written agreement, waiting for completion, collecting the piece of art and then finding an excuse to do it all again….

    Nothing is as exciting and fulfilling as wearing a couture hat, a ring designed with love, getting lost in a painting of your special place or turning round a corner of your garden to see that sculpture that quickens your heart.

    Share your passion. Commission work from an artist for generations of your family to enjoy….

  71. The Warp and Weft of an excellent Arts Fair

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    My mother suffers from dementia and as I have been recovering from ill health – nothing serious – these last ten days my mind has gone to my maternally inspired childhood and celebrating the vibrant woman she once was.

    Her skills in dressmaking were magical, if I saw a dress I loved she would make it for me overnight, friends came to play and left with new outfits, if she needed an evening dress and matching coat the curtains would be miraculously transformed into a Dior copy – perfect in every way based in a fundamental understanding of the fabric and pattern cutting.

    She taught and inspired me to look round problems, to tilt my head to see that different angle and to make sure that my seams were always straight – in my stockings as well as life.

    I curate the Contemporary Arts Fair Discover:Gather:Give in Stratford-upon-Avon and I shamelessly researched other Fairs to see what worked, what made them special, why people visited them and if they returned year after year. I visited shows, Open Studios and events throughout the years, talking to organisers, exhibitors, security guards, café managers and visitors alike.

    I have been putting the finishing plans into place for #Cafdgg17 on the 3rd to 5th November and I realised that what makes #Cafdgg work are the exhibitors, they are the very fabric of the event, they are everything.

    I can facilitate a beautiful venue, do the marketing, public relations, support on social media and video the whole shebang, but without the quality exhibitors to bring in the visitors I have nothing.

    So thank you to all the exhibitors who have trusted me with your art and reputations – I’m working on it.

  72. Light in our eyes

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    Yesterday I returned from Northern Cyprus distilling orange blossom, and the same day travelled up to the Ardnamurchan Peninsular in the Scottish highlands and I was struck by the change in light.

     

    In Cyprus the light was so bright and sharp that I needed to shield my eyes as it reflected off the sand coloured low buildings and light coloured marbled mosques with their call to prayer towers searing into the powder blue skies. Everything felt warm to the touch; even the orange blossoms were reflexing their petals to soak up the heat.

     

    The land was dry, the colours in the markets were vivid and the landscape by turns lush flower meadows of red poppies and yellow daisies, opulent green fields of wheat just touched with yellow as they ripen, golden sand colours of both the beaches and mountain tops and omnipresent hot scent from the local thyme known as kekic.

     

    By comparison the light in Ardnamurchan was grey, the clouds low and heavy with rain and the land shades of browned bracken, frosted black heather stalks, straw coloured grasses and birch trees with the touch of shimmering deep chestnut to the new growth.

     

    By the Burn wild garlic, white anemone’s and primroses throw into the mix a splash of greens and palest yellows. The sharp yellow of the daffodils punctuate the muted Burnside with nodding trumpets, acclaiming the rise of Spring.

     

    Loch Sunart ebbs and flows in hues of steel grey and slate blue, with only the white tips of the waves offering any lightness to the palette – the beauty is in the mesmeric movement of the waves and the horizon lost betwixt the two greys.

     

    Light is everything, too strong and it bleaches out colours and textures, too little and it flattens the vista, leaving only teasing spikes of colour.

     

    So for this year at Contemporary Arts Fair Discover:Gather:Give lighting will be my priority for the exhibitors and visitors, utilising the long large windows, wide opening doorways, crystal chandeliers, opulent gilded mirrors and extra lights on the display boards.

     

    Light will bring the exhibition dancing to life.

     

  73. The quest for fretwork display boards

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    I thought it would be a simple process to find beautiful backing boards for the painters and illustrators to hang their pictures on, however it took over a year to finally get what I held in my imagination.

     

    I travel to Northern Cyprus every year to distil aromatic flowers, plants and resins and I find the Islamic repeat patterns intriguing, soothing and timeless as they shaded me from the bright hot light of the Spring sun.

     

    I came to understand the beauty of the repeated patterns; how they are mathematically pure in their design, with construction based on squares either elongated or reduced in size and repeated to form the overall pattern.

     

    I had in mind a graduated repeat pattern informed by traditional Islamic design – simple, symmetrical, whilst enabling the light to thread through the open fretwork design to enhance the paintings that would be hung from them at Stratford-upon-Avon Town Hall.

    I envisaged the pattern to be open at the top, slowly graduating to stronger and wider stars at the base for weight and stability.

     

    Although the Town Hall has large windows, mirrors and crystal chandeliers, I wanted light to flood the rooms and to keep the exhibition at a human size with smaller than average backboards in a soft, mellow green.

     

    The design I finally chose is based on triangles giving me three-way nodes producing six-pointed stars, instead of the Islamic four-way nodes that produce eight-pointed stars – an elegant repeat design that is not a traditional Islamic copy but influenced by Greek and Roman designs, and I love it.

    An important consideration in the choice of design was the number of straight bars in the Star shapes so hooks could be safely attached and removed, optimising hanging space.

     

    I commissioned Mark Durey from Doors2size (https://doors2size.co.uk/mdf-doors-panels/) to cut the marine MDF for me and I am thrilled with the results.  Mark Turner from Red Display Solutions (http://www.displayboardhire.net) supplied the clamps to offer two boards held at right angles so the exhibitors use all four sides, giving more options as to how to display their work.

     

    One visitor to the exhibition said that he hadn’t noticed them when asked – exactly what I had wanted – subtle, understated beauty to support stunning artwork.

  74. Why set up an Arts Fair?

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    I was asked why I set up Discover:Gather:Give Contemporary Arts Fair and my answer is simple – art and good design makes the world a better place in which to live, although only if you have access to it.

    I would wish art and crafts to be inclusive and accessible, based on relationships, sharing and collaboration. Anything and everything can be enhanced by good design and the artists who exhibit within Discover:Gather:Give bring their skills to enrich our lives.

    Art is and can be exceptional in bringing about conversations which can inspire others; be it a painting, an item of jewellery or a piece of furniture.

    I believe that the appellation of Craft has been devalued and we are now entering a reassurance of the Craft movement. Where time to experience the slow personal development of style and feel for a medium is valued and technical skills and knowledge can be passed through generations of craftspeople.

    Stratford-upon-Avon is renown as the center of performing arts with it links to Shakespeare, and I am of a mind to also raise the profile of the richness of local and regional Contemporary Arts.

    To me Discover:Gather:Give offers everyone the joy of discovering an artist whose work you did not know, gathering together pieces to buy on the day or commission at your leisure and then giving that unique piece of art to someone special to you.

    Please say hello when you visit, I look forward to meeting you.